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<div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, originally created as a project of the non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
  
===LOLA DOBRITCH===
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===THE REVERHOS===
[[File:Lola_Dobritch_GSOE.jpg|right|400px]]
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A fourth-generation circus performer (through her mother), Lola Dobritch (1922-2008) was one of the great tight-wire artists of the mid-twentieth century, famous for crossing her wire on her toes like a ballerina&mdash;still a rare feat in her times&mdash;which, along with her natural grace and her use of a feather fan instead of an umbrella for balancing, won her to be advertised as "The Pavlova of the Silver Strand."
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[[File:Reverhos_-_Scala.jpg|right|400px]]From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wire&mdash;and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.  
  
She was born Vera Dobrich&mdash;the correct English spelling of her name&mdash;on October 14, 1922 in Sofia, Bulgaria, to Alexandre and Anna Dobrich. Alexandre and his brother, Lazar (1881-1970), owned the Royal Dobrich Circus in Bulgaria. "Lola," as Vera would become known (she was often featured as "Miss Lola"), learned all traditional circus disciplines from her parents and took ballet classes in Sofia, before specializing as a wire dancer. She made her debut on the wire at age ten, in 1932, in the family circus.
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It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps&mdash;which they did. Or did at first…
  
In 1946, Lola Dobritch married the German acrobat on unicycle Emil Goetschi (1921-2002), whose remarkable novelty act with brothers Carl and Hans was well known all over Europe, and she became part of the Goetschis’ act while continuing to perform her own tight-wire act. The following year, 1947, the Goetschis signed a contract for their two acts with Ringling Bros. and Barnum & Bailey Circus, and went to the United States.
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Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders&mdash;among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.  
  
Lola Dobritch made her debut with ''The Greatest Show On Earth'' at Madison Square Garden in New York on April 9, 1947. She performed in a triple tight-wire display that included herself on ring one, the amazing Reverhos in the center ring, and The Joannides on ring three; all three acts were making their American debut. Lola and the Goetschis remained three seasons with Ringling Bros., playing dates in Europe or in America during the winter.... ([[Lola Dobritch|more...]])
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Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... ([[The Reverhos|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Don Saunders]], Clown
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* [[The Reverhos]], Acrobatic Jugglers
* [[Jo-Ann Jennier]], Aerialist, Animal Trainer
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* [[Francis Brunn]], Juggler
* [[Ethel Jennier]], Aerialist, Animal Trainer
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* [[Tereza Durova]], Animal Trainer
* [[Walter Jennier]], Sea Lion Trainer
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* [[Alessandro Guerra]], Equestrian, Circus Director
* [[Rex Williams]], Elephant Trainer
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* [[Jimmy Scott]], Clown
  
 
==New Videos==
 
==New Videos==
  
* [[Circus_Town]], television series (2023)
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* [[Archie_and_Diane_Bennett_Video_(1977)|Archie & Diana Bennet]], contortionists (1977)
* [[Fatima_Zohra_Video_(c.1970)|Fatima Zohra]], Contortionist (1979)
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* [[Chu_Chuan_Ho_Video_(2023)|Chu Chuan Ho]], diabolo act (2023)
* [[Fratellini_Video_(1931)|Les Fratellini]], clowns (1931)
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* [[Reverhos_Video_(1947)|The Reverhos]], acrobatic jugglers (1947)
* [[Nadia_Gasser_Video_(2009)|Nadia Gasser]], sea lion act (2009)
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* [[Cyclopes_Video_(2024)|Trio Cyclopes]], jugglers (2024)
* [[Eskin_Troupe_Flying_BAC_1996_Video|The Eskin Troupe]], aerial horizontal bars (1996)
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* [[Triple_Breath_Video_(2023)|Triple Breath]], high wire act (2023)
  
 
==New Oral Histories==
 
==New Oral Histories==

Revision as of 02:35, 1 December 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, originally created as a project of the non-profit Big Apple Circus.

In The Spotlight

THE REVERHOS

Reverhos - Scala.jpg
From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wireA Tight Wire, or Low Wire, kept slack, and generally used for juggling or balancing tricks.—and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.

It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps—which they did. Or did at first…

Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders—among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.

Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator