Difference between revisions of "Main Page"

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<div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, originally created as a project of the non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
  
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===BILL WOODCOCK===
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===THE REVERHOS===
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[[File:William_Woodcock,_Jr._(1978).jpg|right|450px]]
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William Woodcock, Jr. (1935-2023), better known as Bill or "Buckles" Woodcock, was one of the great elephant trainers of the second half of the twentieth-century American circus. A true circus legend in his own times, he was extremely respected in the profession and loved by circus fans, who enjoyed testing his historical knowledge of the American circus, and his encyclopedic command of the history of elephants in the United States&mdash;an interest passed on to him by his father.
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[[File:Reverhos_-_Scala.jpg|right|400px]]From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wire&mdash;and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.  
  
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William "Buckles" Woodcock was born on February 26, 1935 in Lancaster, Missouri, to an old American circus family. Although his father, William H. Woodcock (1904-1963), was a first-generation circus man (and became a legendary elephant trainer with a passion for circus history), his mother was Sarah "Babe" Orton (1902-1988), whose grandfather, [[Hiram Horton|Hiram]], a former sailor and tavern-keeper of British origin, had started a circus in Wisconsin in 1854. As the feisty Babe would often say, "My family was in the circus when the Ringling brothers were still wearing wooden shoes."
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It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps&mdash;which they did. Or did at first…
  
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Bill (to differentiate him from his father, William) Woodcock grew up around animals, elephants in particular. When he was a toddler, he was often buckled to his mother on a harness to keep him in check and safe around his father's elephants, thus his nickname. At age 11, he began working in the circus as a candy butcher. But Buckles had other plans: in 1951, over his father's objections, he found a job as an animal handler with another elephant trainer, Eugene "Arky" Scott, who worked with Ringling Bros. and Barnum & Bailey.
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Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders&mdash;among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.  
  
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Obviously, there was not much William Senior could do. He and Buckles reunited two years later and began working together. Since his father's vision was failing, Buckles's role in the partnership became increasingly more prominent. In 1951, William Woodcock had acquired a four-year old Burmese woodland elephant, Anna May, from the Al G. Kelly-Miller Bros. Circus, and Buckles began working with her. Anna May, who was a remarkably smart and talented performer, would become America's most famous elephant and stay in the Woodcock family until May 2004, when she went into retirement at Riddle's Elephant and Wildlife Sanctuary in Greenbrier, Arkansas.... ([[William Woodcock, Jr.|more...]])
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Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... ([[The Reverhos|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
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* [[Rex Williams]], Elephant Trainer
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* [[Nouveau_Cirque_(Paris)/fr|Nouveau Cirque]], History &mdash; Version Française (French Version)
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* [[Little Billy Merchant]], Clown
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* [[Cirque Medrano (Paris)/fr|Cirque Medrano]], History &mdash; Version Française (French Version)
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* [[Jacko Fossett]], Clown
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* [[The Reverhos]], Acrobatic Jugglers
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* [[Circus Ring of Fame]], History
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* [[Francis Brunn]], Juggler
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* [[Natalya Jigalova]], Aerialist
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* [[Tereza Durova]], Animal Trainer
  
 
==New Videos==
 
==New Videos==
  
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* [[Neves_and_Karol_Video_(2000)|Juliana Neves & Ivo Gueorguiev]], tissu pas-de-deux (2000)
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* [[Shalamova-Martini_Video_(2024)|Anna Shalamova-Martini]], hand-balancer/contortionist (2024)
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* [[Bikmaevi_Video_(2022)|Duo Bikmaevi]], strap act (2022)  
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* [[Amara_Video_(2024)|Amara Troupe]], teeterboard (2024)
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* [[Knie_Elephant_and_Tigers_Video_(1976)|Louis Knie]], elephants and tigers act (1976)
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* [[Archie_and_Diane_Bennett_Video_(1977)|Archie & Diana Bennet]], contortionists (1977)
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* [[Bruno_Togni_Video_(2023)|Bruno Togni]], tiger act (2023)
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* [[Chu_Chuan_Ho_Video_(2023)|Chu Chuan Ho]], diabolo act (2023)
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* [[Rene_Casselly_Jr_Video_(2023)|RenéCasselly, Jr.]], acrobat on horseback (2023)
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* [[Reverhos_Video_(1947)|The Reverhos]], acrobatic jugglers (1947)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 22:35, 25 December 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, originally created as a project of the non-profit Big Apple Circus.

In The Spotlight

THE REVERHOS

Reverhos - Scala.jpg
From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wireA Tight Wire, or Low Wire, kept slack, and generally used for juggling or balancing tricks.—and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.

It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps—which they did. Or did at first…

Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders—among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.

Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator
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