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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, originally created as a project of the non-profit [[Big Apple Circus]]''.</div><br/>
  
 
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==In The Spotlight==
 
==In The Spotlight==
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[[File:NC_Leopold_Loyal.jpg|right|350px]]
 
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===THE NOUVEAU CIRQUE===
 
  
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Located from 1886 to 1926 on the rue Saint Honoré in Paris, a chic shopping thoroughfare at a stone’s throw from the Place Vendôme, the Nouveau Cirque was the most elegant and innovative circus of the French capital&mdash;and, for that matter, of Europe. For many years, it was the High Society’s circus of choice. Its relatively small size gave it warmth and intimacy (it was sometimes referred to as a "bonbonniere"), but in time, the Nouveau Cirque’s limited capacity made it difficult to manage. It began to lose its prominence before the first World War and proved unable to adapt to the post-war era.
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===THE REVERHOS===
  
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The Nouveau Cirque was built for its times&mdash;what is remembered today as the Parisian "Belle Époque" ("Beautiful Era"), of which it was one of the jewels. After WWI, Paris entered the Jazz Age. Then, in the early 1920s, the venerable Cirque d’Hiver, completely refurbished, returned to the presentation of circus shows after a rather futile hiatus as a movie-house and theater; the Cirque Medrano began to enjoy one of its more lucrative periods; and the brand-new Empire Music-Hall Cirque opened its doors Avenue de Wagram: The small "bonbonniere" that was the Nouveau Cirque looked suddenly like a remnant of another era. It faced a competition it was ill-equipped to fight. Once a revolutionary and trendsetting house whose rich and often glorious life had lasted forty years, the Nouveau Cirque finally called it quits.
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[[File:Reverhos_-_Scala.jpg|right|400px]]From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wire&mdash;and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.  
  
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The Nouveau Cirque was created by Joseph Oller (1839-1922), an imaginative entrepreneur and prolific provider of Parisian amusements. He was born Josep Oller i Roca in Terrassa, in Spanish Catalonia, on February 10, 1839; his parents were Francesc Oller, a fabric merchant, and his wife, Teresa, née Roca. The family emigrated to France when Josep was two years old, and the Ollers settled in Paris where Josep, now Joseph, was raised. He eventually returned to Spain to study at the University of Bilbao in the Basque Country, and while there, he discovered cockfighting, which was still very popular in the nineteenth century. His passion for this gory game led him to become a bookmaker&mdash;his first entrepreneurial endeavor.
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It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps&mdash;which they did. Or did at first…
  
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Back to Paris, Oller transferred his bookmaking activities to horse racing. France had gained by then a new Emperor, Napoléon III, whose half-brother, the Duc de Morny, had been influential in the development of horse racing in France and had built the Deauville-La Touques racetrack in 1862. Morny died in 1865, but with his help, Oller had begun to develop the concept of the "pari mutuel" (literally meaning "mutual betting"), an innovative system in which bets are placed in a pool, and the winners share the losers' stakes&mdash;after the bookmaker has taken his commission. Oller put his new system to work in 1867; it replaced advantageously fixed-odds betting and made him a rich man indeed. Oller also launched ''Le Bulletin des Courses'', France’s first horse-racing journal.... ([[Nouveau Cirque (Paris)|more...]])
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Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders&mdash;among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.
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Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... ([[The Reverhos|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
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* [[Totti Alexis]], Clown
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* [[Nouveau_Cirque_(Paris)/fr|Nouveau Cirque]], History &mdash; Version Française (French Version)
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* [[Ross Mollison]], Circus Producer
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* [[Cirque Medrano (Paris)/fr|Cirque Medrano]], History &mdash; Version Française (French Version)
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* [[Don Saunders]], Clown
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* [[The Reverhos]], Acrobatic Jugglers
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* [[Jo-Ann Jennier]], Aerialist, Animal Trainer
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* [[Francis Brunn]], Juggler
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* [[Ethel Jennier]], Aerialist, Animal Trainer
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* [[Tereza Durova]], Animal Trainer
  
 
==New Videos==
 
==New Videos==
  
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* [[Alex_Kerr_BBC_Video_(1958)|Alex Kerr]], tiger trainer (1958)
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* [[Shalamova-Martini_Video_(2024)|Anna Shalamova-Martini]], hand-balancer/contortionist (2024)
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* [[Rich_Metiku_Video_(2019)|Rich Metiku]], contortionist (2019)
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* [[Amara_Video_(2024)|Amara Troupe]], teeterboard (2024)
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* [[Sorellas_Video_(2016)|The Sorellas]], double trapeze (2016)
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* [[Archie_and_Diane_Bennett_Video_(1977)|Archie & Diana Bennet]], contortionists (1977)
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* [[Big_Apple_Circus_Teaser_Video_(2023)|Promotional Teaser]] for the Big Apple Circus/Circus-Theater Roncalli (2023)
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* [[Chu_Chuan_Ho_Video_(2023)|Chu Chuan Ho]], diabolo act (2023)
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* [[Serov_Demidova_Video_(2023)|Vladimir Serov & Elizabeta Demidova]], Aerial Perch (2023)
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* [[Reverhos_Video_(1947)|The Reverhos]], acrobatic jugglers (1947)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 22:35, 25 December 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, originally created as a project of the non-profit Big Apple Circus.

In The Spotlight

THE REVERHOS

Reverhos - Scala.jpg
From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wireA Tight Wire, or Low Wire, kept slack, and generally used for juggling or balancing tricks.—and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.

It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps—which they did. Or did at first…

Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders—among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.

Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator
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