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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, originally created as a project of the non-profit [[Big Apple Circus]]''.</div><br/>
  
 
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==In The Spotlight==
 
==In The Spotlight==
  
===THE ANDREU-RIVELS===
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===THE REVERHOS===
  
[[File:Andreu_Rivels_1961.jpg|right|400px]]The career of the Andreu-Rivels (also known as The 3 Rivels) spanned half a century, from 1920 to 1970. With a trio that has seen three different compositions while remaining centered around René Rivel, the brothers Andreu (Charlie, Polo, René, Celito, and Rogelio) were one of Europe’s most successful and celebrated clown act&mdash;even though over the years, their fame has been unduly shadowed by the stature (and it can be said, the considerable ego) of one of the trio's original members, Charlie Rivel, who left his brothers in 1935 to replicate the family act with other, anonymous partners and eventually pursue a "solo" career (albeit never without uncredited partners).
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[[File:Reverhos_-_Scala.jpg|right|400px]]From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wire&mdash;and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.  
  
Their father, Pedro Jaime Andreu Pausas (?-1957), was the son of a cabinetmaker from Barcelona, Spain. In the 1880s, when he was fifteen years old, Pedro and his brother Juan left home to follow Circo Milá. As members of the circus, Pedro and Juan began performing a trapeze act. Pedro later joined another circus, Circo Alegría, where he met&mdash;and later married&mdash;a French acrobat, Marie-Louise Lasserre Seguino. Spain had fallen on hard times, and in order to survive, the young family decided to cross into France, where they hoped to find work. As they made their way toward the border, they performed in village squares across Catalonia.  
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It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps&mdash;which they did. Or did at first…
  
In 1896, they were traveling in a hand-drawn wagon when Marie-Louise gave birth to José (the future Charlie, 1896-1983) in Cubelles, a village near Barcelona. Surviving as best as they could, they finally reached France three months later. They soon secured an engagement with the small Cirque Dusoulier. The following year, Marie-Louise gave birth to her second child, a daughter, Neña (Marie-Louise Andreu, 1897-1915). At age two, little José appeared in his father's risley act. Then the family went on to perform with the Cirque Caignac, where little José appeared in a parody of a strong-man act and in a hand-to-hand balancing act with his sister, for which he was originally dressed as a girl&mdash;which made their "all-girl" act look more attractive to agents and directors.... ([[The Andreu-Rivels|more...]])
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Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders&mdash;among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.
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Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... ([[The Reverhos|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[The Aragón Family]], Clown Dynasty
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* [[Nouveau_Cirque_(Paris)/fr|Nouveau Cirque]], History &mdash; Version Française (French Version)
* [[Totti Alexis]], Clown
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* [[Cirque Medrano (Paris)/fr|Cirque Medrano]], History &mdash; Version Française (French Version)
* [[Ross Mollison]], Circus Producer
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* [[The Reverhos]], Acrobatic Jugglers
* [[Don Saunders]], Clown
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* [[Francis Brunn]], Juggler
* [[Jo-Ann Jennier]], Aerialist, Animal Trainer
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* [[Tereza Durova]], Animal Trainer
  
 
==New Videos==
 
==New Videos==
  
* [[Two_On_The_Rope_Video_(2024)|Two On The Rope]], corde lisse (2024)
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* [[Shalamova-Martini_Video_(2024)|Anna Shalamova-Martini]], hand-balancer/contortionist (2024)
* [[Caballeros_Video_(2023)|The Flying Caballeros]], flying trapeze (2023)
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* [[Amara_Video_(2024)|Amara Troupe]], teeterboard (2024)
* [[Charlie_Rivel_Video_(1969)|Charlie Rivel]], clown entrée (1969)
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* [[Archie_and_Diane_Bennett_Video_(1977)|Archie & Diana Bennet]], contortionists (1977)
* [[China_Troupe_Juggling_Video_(2024)|China Acrobatic Troupe]], juggling act (2024)
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* [[Chu_Chuan_Ho_Video_(2023)|Chu Chuan Ho]], diabolo act (2023)
* [[Rios_Brothers_Video_(c.1980)|The Rios Brothers]], Risley act (c.1980)
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* [[Reverhos_Video_(1947)|The Reverhos]], acrobatic jugglers (1947)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 22:35, 25 December 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, originally created as a project of the non-profit Big Apple Circus.

In The Spotlight

THE REVERHOS

Reverhos - Scala.jpg
From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wireA Tight Wire, or Low Wire, kept slack, and generally used for juggling or balancing tricks.—and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.

It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps—which they did. Or did at first…

Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders—among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.

Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator