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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, originally created as a project of the non-profit [[Big Apple Circus]]''.</div><br/>
  
 
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==In The Spotlight==
 
==In The Spotlight==
[[File:Alessandro_Guerra_(1838).jpg|right|350px]]
 
===ALESSANDRO GUERRA===
 
  
The Italian equestrian Alessandro Guerra is one of the most important figures of the 19th century equestrian circus. A remarkable horseman whose vigorous, aggressive style (as well as his fiery temper) won him the nickname of "Il Furioso," he was also a versatile performer, a gifted circus director, a pioneer who managed a very talented company and traveled with it far and wide all over Europe with enough success to catch attention and leave his mark wherever he went.
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===THE REVERHOS===
  
He was born in 1782 in the historic town of Rimini, on the Adriatic coast, in what was then the Papal States, at the southern end of the Emilia-Romagna region. His parents were Mauro Guerra and Clementina, née Bordini. His family’s origins are not known, but beside his striking equestrian talents, Alessandro was a multi-talented artist: acrobat, juggler, musician, and actor in pantomimes&mdash;which leads us to believe that he came from a stock of traveling entertainers, although this is just an assumption; his brother, Rodolfo Guerra, a talented equestrian in his own right, would hold a significant part in his future company.
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[[File:Reverhos_-_Scala.jpg|right|400px]]From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wire&mdash;and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.  
  
Guerra had been a pupil of the celebrated Italian equestrian and circus pioneer Luigi Guillaume, in whose company (the ''Gran Circo Olympico'') he performed, touring the rich Italian "circuits" of theaters, open-air arenas, and ''politeamas''&mdash;these polyvalent theaters that served as circuses as well as theaters. Then he joined Christoph de Bach's company, at Vienna's Circus Gymnasticus in 1815, where the local press first singled out Alessandro Guerra as an exceptional trick-rider: By 1817, he was a major star of de Bach’s company. On May 17, 1818, at age thirty-six, Alessandro married nineteen years old Adelheid Elisa de Bach (Adelaïde, 1798-1832), Christoph de Bach’s daughter from his first wife, Rosalia, née Masson (1755-1820).  
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It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps&mdash;which they did. Or did at first…
  
Besides Vienna, de Bach’s company had a great reputation in the German and Italian states, which they visited regularly. The circus season in Vienna began traditionally on Easter Monday and lasted generally six months. The company traveled extensively the rest of the year: In 1826, for instance, they appeared in Naples, Rome, Florence, Genes, Turin, Milan, Venice, Innsbruck, Munich, Augsburg, Nuremberg, Frankfurt-am-Main, Darmstadt, Stuttgart, and Prague.  
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Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders&mdash;among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.  
  
That same year, during the 1826 season at the Circus Gymnasticus, a Viennese newspaper wrote about Alessandro Guerra: "He stands quite freely on one foot on an unsaddled horse, not running at a canter as usual, but at full gallop, in various positions, playing the guitar with as much ease as if he were sitting leisurely in an armchair." The breakneck speed at which he presented his exercises, notably his remarkable juggling on horseback, was one of his characteristics&mdash;one which helped him earn his now-famous nickname, ''Il Furioso'' ("The furious").... ([[Alessandro Guerra|more...]])
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Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... ([[The Reverhos|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Alessandro Guerra]], Equestrian, Circus Director
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* [[Nouveau_Cirque_(Paris)/fr|Nouveau Cirque]], History &mdash; Version Française (French Version)
* [[Jimmy Scott]], Clown
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* [[Cirque Medrano (Paris)/fr|Cirque Medrano]], History &mdash; Version Française (French Version)
* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
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* [[The Reverhos]], Acrobatic Jugglers
* [[Alona Zhuravel]], Hand-Balancer
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* [[Francis Brunn]], Juggler
* [[George Carl]], Clown
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* [[Tereza Durova]], Animal Trainer
  
 
==New Videos==
 
==New Videos==
  
* [[Cousins_Video_(2023)|Julot Cousins]], swaypole (2023)
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* [[Shalamova-Martini_Video_(2024)|Anna Shalamova-Martini]], hand-balancer/contortionist (2024)
* [[Devlikamov_Video_(2023)|Olga & Marat Devlikamov]], Chinese Pole (2023)
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* [[Amara_Video_(2024)|Amara Troupe]], teeterboard (2024)
* [[WWilliams_Video_(2020)|Wesley Williams]], unicycle (2020)
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* [[Archie_and_Diane_Bennett_Video_(1977)|Archie & Diana Bennet]], contortionists (1977)
* [[Khlystov_Video_(2023)|Aleksandr Khlystov & Anna Fedchenko]], sea-lion act (2023)
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* [[Chu_Chuan_Ho_Video_(2023)|Chu Chuan Ho]], diabolo act (2023)
* [[Gemini_Twins_Video_(2023)|Gemini Twins]], aerial pole (2023)
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* [[Reverhos_Video_(1947)|The Reverhos]], acrobatic jugglers (1947)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 22:35, 25 December 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, originally created as a project of the non-profit Big Apple Circus.

In The Spotlight

THE REVERHOS

Reverhos - Scala.jpg
From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wireA Tight Wire, or Low Wire, kept slack, and generally used for juggling or balancing tricks.—and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.

It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps—which they did. Or did at first…

Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders—among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.

Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator