Difference between revisions of "Main Page"

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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, originally created as a project of the non-profit [[Big Apple Circus]]''.</div><br/>
  
 
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==In The Spotlight==
 
==In The Spotlight==
  
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===THE CIRCUS ON TSVETNOY BOULEVARD===
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===THE REVERHOS===
  
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Circus buildings with a long history have something magical. They seem haunted by the protective ghosts of the great star performers who, over the years, have graced their ring. The world’s oldest extant circus building, Paris’s Cirque d’Hiver, where Jules Léotard originated the flying trapeze in 1859, is one of them. The glorious Circus Ciniselli in St. Petersburg, Russia’s oldest circus, is another one. And in Moscow, there is Circus Nikulin&mdash;"the Old Circus on Tsvetnoy Boulevard."
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[[File:Reverhos_-_Scala.jpg|right|400px]]From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wire&mdash;and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.  
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[[File:Circus_Salamonsky_Moscow.jpg|right|450px]]
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The Circus on Tsvetnoy Boulevard: Three distinct circus buildings, actually, have been known under that name. The three buildings have occupied the exact same place, 13 Tsvetnoy Boulevard, with no longer interruption than the time needed for their reconstruction. Yet, for the Muscovites, they have been one and the same&mdash;their circus, just wearing different coats.
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It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps&mdash;which they did. Or did at first…
  
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Before the Soviet revolution, Russian circus history was principally written in St. Petersburg, the Russian Empire’s capital, and began when the French equestrian Jacques Tourniaire built the ''Cirque Olympique'', Russia’s first circus, in 1827 near the Fontanka canal, on the spot where Circus Ciniselli (which is extant) would be erected half a century later. Tourniaire had performed in Moscow in 1826, but this was in the private manège of the Pashkov House, which today houses the Russian State Library&mdash;with its magnificent manège refurbished as its main reading room.
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Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders&mdash;among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.  
  
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Moscow’s first circus was a wooden structure erected in the Niskuchnye Gardens in 1830, which lasted three summer seasons. The second circus, [[Laura Bassin]]’s, was built in 1853 and lasted only two seasons. The third was the circus the Austrian-Hungarian equestrian Carl Magnus Hinné had built in 1869 as the Moscow branch of his St. Petersburg flagship circus; it would remain active, under various managements, until 1896. Then, in 1880, Albert Salamonsky (1839-1913), a brilliant German equestrian and director, built a brand new circus on Tsvetnoy Boulevard.
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Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... ([[The Reverhos|more...]])
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Hinné had hired Salamonsky in 1869 to perform with his horses and his company in the Austrian-Hungarian director’s new building in Moscow. Salamonsky, who was an accomplished high school rider, and an outstanding trainer of "liberty" acts, had obtained a considerable success with Hinné, and he began afterward to tour regularly in Russia. In 1879, he built a circus in Odessa, but a shrewd businessman, he knew that the place to make real money was Moscow&mdash;the Empire’s wealthy merchant center&mdash;where Hinné’s circus, which was mostly harboring foreign touring companies, had no true identity of its own..... ([[Circus Nikulin|more...]])
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==New Essays and Biographies==
 
==New Essays and Biographies==
  
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* [[Alessandro Guerra]], Equestrian, Circus Director
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* [[Nouveau_Cirque_(Paris)/fr|Nouveau Cirque]], History &mdash; Version Française (French Version)
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* [[Jimmy Scott]], Clown
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* [[Cirque Medrano (Paris)/fr|Cirque Medrano]], History &mdash; Version Française (French Version)
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* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
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* [[The Reverhos]], Acrobatic Jugglers
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* [[Alona Zhuravel]], Hand-Balancer
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* [[Francis Brunn]], Juggler
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* [[George Carl]], Clown
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* [[Tereza Durova]], Animal Trainer
  
 
==New Videos==
 
==New Videos==
  
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* [[Toropova_Video_(2024)|Daria Toropova]], Aerial Hoop (2024)
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* [[Shalamova-Martini_Video_(2024)|Anna Shalamova-Martini]], hand-balancer/contortionist (2024)
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* [[Sandro_Montez_Video_(2023)|Sandro Montez]], dog act (2023)
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* [[Amara_Video_(2024)|Amara Troupe]], teeterboard (2024)
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* [[Caitlin_%26_Spencer_Video_(2022)|Caitlin & Spencer]], Aerial Hoop (2022)
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* [[Archie_and_Diane_Bennett_Video_(1977)|Archie & Diana Bennet]], contortionists (1977)
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* [[Gimenez_Sisters_Video_(2023)|Brihanna & Miranda Giménez]], Washington Trapeze (2023)
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* [[Chu_Chuan_Ho_Video_(2023)|Chu Chuan Ho]], diabolo act (2023)
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* [[Cousins_Video_(2023)|Julot Cousins]], swaypole (2023)
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* [[Reverhos_Video_(1947)|The Reverhos]], acrobatic jugglers (1947)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 22:35, 25 December 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, originally created as a project of the non-profit Big Apple Circus.

In The Spotlight

THE REVERHOS

Reverhos - Scala.jpg
From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wireA Tight Wire, or Low Wire, kept slack, and generally used for juggling or balancing tricks.—and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.

It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps—which they did. Or did at first…

Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders—among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.

Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator
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