Difference between revisions of "Main Page"

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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, originally created as a project of the non-profit [[Big Apple Circus]]''.</div><br/>
  
 
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==In The Spotlight==
 
==In The Spotlight==
  
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===ALEXANDRE PALISSE===
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===THE REVERHOS===
  
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[[File:Palisse_in_costume.png|350px|right]]Alexandre François Palisse was born in a circus family on November 17, 1876, during the family's stay in Saint-Chamond, an early industrial town in the Rhône-Alpes region of France. His father was Louis-Marius Palisse (1856-1891), an acrobat; his mother, Louise (1859-1895), née Bertoletti, was an equestrienne. Alexandre, who had a younger brother, Nicolas (1879-1938, an acrobat), was fifteen when he lost his father, and his mother died four years later: He had to help support his family at a young age, which developed in him earnestness and a sense of responsibility that was in no small part the reason of his success in life.
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[[File:Reverhos_-_Scala.jpg|right|400px]]From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wire&mdash;and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.  
  
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He was a good acrobat and tumbler, and had a knack for training small domestic animals, notably dogs. This led him to clowning, since small animal training was at the time regarded as the domain of clowns (which was spectacularly demonstrated by many of them, notably [[Anatoly Durov|Anatoly]] and [[Vladimir Durov]]). Palisse worked either alone or with partners such as Pierre Perié (who will also create his own, successful circus) and Leonardo Ceratto, with whom he worked extensively in Spain and Portugal, and even in Argentina, where he had an enormous success with his trademark trained bulldogs.  
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It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps&mdash;which they did. Or did at first…
  
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Around 1903-1904, Palisse was performing at the Cirque Plège, a popular French traveling circus of the period, which was showing at the annual fair of Amiens, in the north of France. Also at the fair was the ''Théâtre Grenier'', a well-known traveling theater created by Ernest Grenier (1855-1920), which presented a mixture of short films (a great novelty then) and variety acts. Adrienne Grenier (1882-1959), the owner's daughter, fell in love with Palisse, whom she went and see perform every day after her own performance at the Théâtre Grenier. Palisse reciprocated her feelings, and they were married in Caen, Normandy, on April 9, 1904&mdash;just before the start of this port city's annual fair. Then, in the summer of 1906, Palisse was touring in South America with Adrienne when, on July 4 in Montevideo, Uruguay, she gave him a son whom they named after his maternal grandfather, Ernest.
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Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders&mdash;among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.  
  
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Now that he was Enest Grenier's son-in-law, Palisse became a regular fixture of the Théâtre Grenier's programs. Grenier liked Palisse as a clown, but he also appreciated his seriousness; Palisse was helpful, hard-working, and a good addition to the family. The Théâtre Grenier was a successful business and, as an insider, Palisse had the opportunity to learn how to run efficiently a traveling entertainment organization; furthermore, not a simple employee anymore, he enjoyed his new status as member of a performing family that ran its own business, and he began entertaining the possibility of creating his own traveling circus. He eventually shared his aspirations with his father-in-law, who was willing to help finance his project..... ([[Alexandre Palisse|more...]])
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Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... ([[The Reverhos|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
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* [[Alessandro Guerra]], Equestrian, Circus Director
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* [[Nouveau_Cirque_(Paris)/fr|Nouveau Cirque]], History &mdash; Version Française (French Version)
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* [[Jimmy Scott]], Clown
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* [[Cirque Medrano (Paris)/fr|Cirque Medrano]], History &mdash; Version Française (French Version)
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* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
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* [[The Reverhos]], Acrobatic Jugglers
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* [[Alona Zhuravel]], Hand-Balancer
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* [[Francis Brunn]], Juggler
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* [[George Carl]], Clown
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* [[Tereza Durova]], Animal Trainer
  
 
==New Videos==
 
==New Videos==
  
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* [[Toropova_Video_(2023)|Darina Toropova]], Aerial Hoop (2023)
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* [[Shalamova-Martini_Video_(2024)|Anna Shalamova-Martini]], hand-balancer/contortionist (2024)
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* [[Toropova_Video_(2024)|Darina Toropova]], Aerial Hoop (2024)
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* [[Amara_Video_(2024)|Amara Troupe]], teeterboard (2024)
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* [[Sandro_Montez_Video_(2023)|Sandro Montez]], dog act (2023)
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* [[Archie_and_Diane_Bennett_Video_(1977)|Archie & Diana Bennet]], contortionists (1977)
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* [[Caitlin_%26_Spencer_Video_(2022)|Caitlin & Spencer]], Aerial Hoop (2022)
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* [[Chu_Chuan_Ho_Video_(2023)|Chu Chuan Ho]], diabolo act (2023)
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* [[Gimenez_Sisters_Video_(2023)|Brihanna & Miranda Giménez]], Washington Trapeze (2023)
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* [[Reverhos_Video_(1947)|The Reverhos]], acrobatic jugglers (1947)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 22:35, 25 December 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, originally created as a project of the non-profit Big Apple Circus.

In The Spotlight

THE REVERHOS

Reverhos - Scala.jpg
From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wireA Tight Wire, or Low Wire, kept slack, and generally used for juggling or balancing tricks.—and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.

It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps—which they did. Or did at first…

Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders—among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.

Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator
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