Difference between revisions of "Viktor Tikhonov"
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| + | [[File:Tikhonov_Portrait_Poster.jpeg|thumb|right|300px|Tikhonov Poster (c.1970)]] | ||
==Acrobat, Sharpshooter, Animal Trainer== | ==Acrobat, Sharpshooter, Animal Trainer== | ||
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| − | + | A major star of the Soviet Circus, Viktor Tikhonov (1917-1991) was an outstanding and amazingly innovative animal trainer. He displayed remarkable elegance and grace in the ring—a rather uncommon quality in his field. His son, [[Vitaly Tikhonov]], followed in his father’s footsteps and matched his accomplishments with great success. Viktor Tikhonov also mentored the Russian animal trainer [[Larissa Tikhonova]]. | |
Viktor Petrovich Tikhonov was born on March 18, 1917 in Russia, in the midst of the so-called "February Revolution." His father, Pyotr, was a fairground entertainer who worked the ''balagans'' (the Russian fairground booths) with a sharpshooter act. Viktor made his debut as a child performer with his father, beginning as an acrobat and developing in time his own sharpshooting skills. | Viktor Petrovich Tikhonov was born on March 18, 1917 in Russia, in the midst of the so-called "February Revolution." His father, Pyotr, was a fairground entertainer who worked the ''balagans'' (the Russian fairground booths) with a sharpshooter act. Viktor made his debut as a child performer with his father, beginning as an acrobat and developing in time his own sharpshooting skills. | ||
| − | The nationalization of the Russian circuses in 1919 had prompted a large exodus of the foreign artists who had provided talent to their shows until then, and who were in turn followed by many Russian native performers (often of foreign descent) who left the newly born Soviet Union and went to work abroad. Eventually, Russian balagan performers who showed some artistic merit were taken into the fold of the nascent state circus organization—until the government decided to establish the [[State College of Circus and Variety Arts]] in 1927 to provide the Soviet circus with a new generation of native performers. | + | The nationalization of the Russian circuses in 1919 had prompted a large exodus of the foreign artists who had provided talent to their shows until then, and who were in turn followed by many Russian native performers (often of foreign descent) who left the newly born Soviet Union and went to work abroad. Eventually, Russian balagan performers who showed some artistic merit were taken into the fold of the nascent state circus organization—until the government decided to establish the [[State College of Circus and Variety Arts (Moscow)|State College for Circus and Variety Arts]] in 1927 to provide the Soviet circus with a new generation of native performers. |
===An Outstanding Animal Trainer=== | ===An Outstanding Animal Trainer=== | ||
| − | So Viktor Tikhonov, the son of the balagan performer, made his circus debut as a sharpshooter, soon joined by his wife, Liubov. (Since the term balagan is derogatory in the Russian circus lingo, and is used to describe a lack of artistic form or professionalism—as in "it’s not circus, it’s balagan!"—the natural elegance Viktor Tikhonov was to show in the ring seems all the more striking.) Creativity was the motto of the new Soviet circus, and Tikhonov warmed quickly to that idea. He added trained dogs to his act, who played various "characters" reflecting human emotions. Tikhonov proved in the process to be a very good animal trainer; | + | So Viktor Tikhonov, the son of the balagan performer, made his circus debut as a sharpshooter, soon joined by his wife, Liubov. (Since the term balagan is derogatory in the Russian circus lingo, and is used to describe a lack of artistic form or professionalism—as in "it’s not circus, it’s balagan!"—the natural elegance Viktor Tikhonov was to show in the ring seems all the more striking.) Creativity was the motto of the new Soviet circus, and Tikhonov warmed quickly to that idea. He added trained dogs to his act, who played various "characters" reflecting human emotions. Tikhonov proved in the process to be a very good animal trainer; he worked for a time in the collective of the magician [[Kio]], where he was in charge of the animals used in his illusions. Then he dedicated his career to animal acts, each one more original than the other. |
His first "première" was the training of a group of yaks, which he mixed with German shepherds. This had never been seen before (in Russia or elsewhere), and Viktor Tikhonov made indeed a very strong impression in the Soviet circus. Then, he was the first trainer in Russia to present a bison in the ring. Beside his obvious talent as a trainer, what also made Tikhonov stand out was his balletic elegance in the ring, his physical grace, which matched the natural fluidity of his charges’ moves. His acts stressed indeed the image of a human performer evolving among wild animals, instead of the more traditional image of a trainer imposing upon them. The elegant costume he wore reinforced this image. | His first "première" was the training of a group of yaks, which he mixed with German shepherds. This had never been seen before (in Russia or elsewhere), and Viktor Tikhonov made indeed a very strong impression in the Soviet circus. Then, he was the first trainer in Russia to present a bison in the ring. Beside his obvious talent as a trainer, what also made Tikhonov stand out was his balletic elegance in the ring, his physical grace, which matched the natural fluidity of his charges’ moves. His acts stressed indeed the image of a human performer evolving among wild animals, instead of the more traditional image of a trainer imposing upon them. The elegant costume he wore reinforced this image. | ||
| − | In 1976, he created an act that has become legendary; it mixed four European bisons, six Siberian tigers, two dogs (a boxer and a Pomeranian), and a cheetah. Later, the cheetah was trained to ride horses, which were added to the ensemble. It was quite an impressive combination of animals! Finally, in 1980, Viktor Tikhonov was made Artist | + | In 1976, he created an act that has become legendary; it mixed four European bisons, six Siberian tigers, two dogs (a boxer and a Pomeranian), and a cheetah. Later, the cheetah was trained to ride horses, which were added to the ensemble. It was quite an impressive combination of animals! Finally, in 1980, Viktor Tikhonov was made Honored Artist of the Russian Soviet Federative Socialist Republic; he had then reached the status of circus icon, and his career was coming to an end. Viktor Tikhonov passed away March 20, 1991—three days after Boris Yeltsin was elected president of the Russian Federation by referendum. The world in which Viktor Tikhonov had been able to thrive, the Soviet Union, had just collapsed. |
==See Also== | ==See Also== | ||
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</Gallery> | </Gallery> | ||
| − | [[Category:Artists and Acts|Tikhonov, Viktor]][[Category:Animal Trainers|Tikhonov, Viktor]] | + | [[Category:Artists and Acts|Tikhonov, Viktor]][[Category:Animal Trainers|Tikhonov, Viktor]][[Category:Exotic Animals|Tikhonov, Viktor]][[Category:Mixed Animals Acts|Tikhonov, Viktor]][[Category:Cage Acts|Tikhonov, Viktor]] |
Latest revision as of 21:39, 3 June 2021
Acrobat, Sharpshooter, Animal Trainer
By Dominique Jando
A major star of the Soviet Circus, Viktor Tikhonov (1917-1991) was an outstanding and amazingly innovative animal trainer. He displayed remarkable elegance and grace in the ring—a rather uncommon quality in his field. His son, Vitaly Tikhonov, followed in his father’s footsteps and matched his accomplishments with great success. Viktor Tikhonov also mentored the Russian animal trainer Larissa Tikhonova.
Viktor Petrovich Tikhonov was born on March 18, 1917 in Russia, in the midst of the so-called "February Revolution." His father, Pyotr, was a fairground entertainer who worked the balagans(Russian) Fairground booths or theaters. (the Russian fairground booths) with a sharpshooter act. Viktor made his debut as a child performer with his father, beginning as an acrobat and developing in time his own sharpshooting skills.
The nationalization of the Russian circuses in 1919 had prompted a large exodus of the foreign artists who had provided talent to their shows until then, and who were in turn followed by many Russian native performers (often of foreign descent) who left the newly born Soviet Union and went to work abroad. Eventually, Russian balagan(Russian) A fairground booth or theater. performers who showed some artistic merit were taken into the fold of the nascent state circus organization—until the government decided to establish the State College for Circus and Variety Arts in 1927 to provide the Soviet circus with a new generation of native performers.
An Outstanding Animal Trainer
So Viktor Tikhonov, the son of the balagan(Russian) A fairground booth or theater. performer, made his circus debut as a sharpshooter, soon joined by his wife, Liubov. (Since the term balagan(Russian) A fairground booth or theater. is derogatory in the Russian circus lingo, and is used to describe a lack of artistic form or professionalism—as in "it’s not circus, it’s balagan(Russian) A fairground booth or theater.!"—the natural elegance Viktor Tikhonov was to show in the ring seems all the more striking.) Creativity was the motto of the new Soviet circus, and Tikhonov warmed quickly to that idea. He added trained dogs to his act, who played various "characters" reflecting human emotions. Tikhonov proved in the process to be a very good animal trainer; he worked for a time in the collective of the magician Kio, where he was in charge of the animals used in his illusions. Then he dedicated his career to animal acts, each one more original than the other.
His first "première" was the training of a group of yaks, which he mixed with German shepherds. This had never been seen before (in Russia or elsewhere), and Viktor Tikhonov made indeed a very strong impression in the Soviet circus. Then, he was the first trainer in Russia to present a bison in the ring. Beside his obvious talent as a trainer, what also made Tikhonov stand out was his balletic elegance in the ring, his physical grace, which matched the natural fluidity of his charges’ moves. His acts stressed indeed the image of a human performer evolving among wild animals, instead of the more traditional image of a trainer imposing upon them. The elegant costume he wore reinforced this image.
In 1976, he created an act that has become legendary; it mixed four European bisons, six Siberian tigers, two dogs (a boxer and a Pomeranian), and a cheetah. Later, the cheetah was trained to ride horses, which were added to the ensemble. It was quite an impressive combination of animals! Finally, in 1980, Viktor Tikhonov was made Honored Artist of the Russian Soviet Federative Socialist Republic; he had then reached the status of circus icon, and his career was coming to an end. Viktor Tikhonov passed away March 20, 1991—three days after Boris Yeltsin was elected president of the Russian Federation by referendum. The world in which Viktor Tikhonov had been able to thrive, the Soviet Union, had just collapsed.
See Also
- Video: Viktor Tikhonov, mixed wild animal act, at Moscow's "Circus on Tsvetnoi Boulevard" (1967)
Image Gallery
Tikhonov Poster (c.1970)
Tikhonov Poster (c.1970)
