Difference between revisions of "Main Page"

From Circopedia

 
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:110%;"> Circopedia was originally created with the support of the [http://www.bigapplecircus.com/ Big Apple Circus],<br />and has been inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
  
===BAPTISTE LOISSET===
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===VALENTIN GNEUSHEV===
[[File:Baptiste_Loisset.jpg|right|300px]]Baptiste Loisset (1797-1863) was, in the first half of the nineteenth century, one of Europe’s greatest equestrians and circus directors, a major figure in the circus world. He was one of the first horsemen to perform a somersault on horseback (on a ''panneau'', or flat saddle), and both his reputation and his knowledge of horsemanship led him to finish his brilliant career in the position of director of the royal riding academy at The Hague in the Netherlands&mdash;a country this Frenchman called home for most of his professional life.
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[[File:Valentin_Gneushev.jpg|300px|right]]
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Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.
  
He was born Jean-Baptiste Antoine Loisset on November 28, 1797 (according to his Dutch marriage certificate) in Charleville (today Charleville-Mézières), in the department of Ardennes in France’s northeast region. However, popular biographies have placed his birth in Strasbourg, in the French province of Alsace, either on November 11 of that same year, or on August 9, 1793 (according to Signor Saltarino in his biographical dictionary, ''Pauvres Saltimbanques''). Where those dates come from is everybody’s guess.
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As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.
  
Charleville was, then as now, an industrial city, and its economy was based upon slate and coal and the hardware needed for these industries—notably iron nails. Baptiste’s parents were François Loisset, whose occupation was recorded as "nailsmith" in official documents, and Magdaleine, née Hugot. Circus lore, however, usually makes François Loisset an officer in Napoléon’s army, and has him wounded either at the battle of Wagram (1809) or at the battle of Marengo (1800).
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Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clown.
  
The former assertion is not credible since the story also says that Baptiste lost his mother to yellow fever when he was four years old, and his father the following year—which would place François Loisset’s death in 1802 at the latest, seven years before the battle of Wagram. One may surmise that there has been some confusion between the elder Loissets: Baptiste’s uncle (François’s brother) served in Napoléon’s army, was wounded near Alessandria, in Piedmont, at the battle of Marengo, and is said to have settled thereafter in that Italian city.
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In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomime, as well as a need to distance himself from the conventional circus clowning of the period.
  
If none of Baptiste’s given birthdates can validate the story of François Loisset in Wagram, it works certainly better with Marengo. But then, why would have his occupation been recorded posthumously as "nailsmith" if he had been an officer in the French army? It is quite likely that the legend of François’s military career has been borrowed from his brother’s. ([[Baptiste Loisset|more...]])
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An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... ([[Valentin Gneushev|more...]])
  
==New Biographies==
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==New Essays and Biographies==
  
* [[Baptiste Loisset]], Circus Owner and Equestrian
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* [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française)
* [[The Kornilov Dynasty]], Elephant Trainers
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* [[Cirque_d'Hiver/fr|Le Cirque d'Hiver]] (Version française)
* [[Sergei Korolev]], Acrobat
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* [[Virginie Kenebel/fr|Virginie Kenebel]] (Version française)
* [[Victor Fomine]], Acrobat, Circus Coach
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* [[Cirque Bureau]], circus (English/Français)
* [[Annie Fratellini]], Clown, Circus Director
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* [[Richiardi Jr.]], magician
  
 
==New Videos==
 
==New Videos==
  
* [[Tanya_Drobot_Video_(2018)|Tatyana Drobot]], Dog Act (2018)
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* [[Tulga_Video_(2025)|Tulga]], stromgman (2025)
* [[Thierry_Bouglione_Video_(c2010)|Thierry & Sandrine Bouglione]], Magic Act (c.2010)
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* [[China_Troupe_-_Bicycle_Video_(2025)|China Acrobatic Troupe]], bicycle act (2025)
* [[Pellegrini_Video_(2016)|The Pellegrini Brothers]], Hand-to-Hand Balancing (2016)
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* [[Dorning_Cow_Video_(1978)|Günter Dorning]], trained cows (1978)
* [[Moira_Orfei_Video_(1991)|Moira Orfei]], Elephant Act (1991)
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* [[Kims_Video_(1963)|The Kims]], comedy acrobatics (1963)
* [[Martin_Lacey_Video_(2000)|Martin Lacey, Jr.]], Lion Act (2000)
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* [[Kolfe_Video_(2026)|Kolfe Troupe]], Risley/teeterboard act (2026)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
* [[Rosa_Bouglione_Video_(2012)|Rosa Bouglione]]'s interview on Franch Television (2012)
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* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Documentary (1970)
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* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
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* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
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* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
  
==New Circopedia Books==
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==Circopedia Books==
  
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from the Editor==
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==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 21:11, 13 March 2026


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

VALENTIN GNEUSHEV

Valentin Gneushev.jpg

Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.

As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.

Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team..

In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomimeA circus play, not necessarily mute, with a dramatic story-line (a regular feature in 18th and 19th century circus performances)., as well as a need to distance himself from the conventional circus clowning of the period.

An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator