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<div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally created with the support of the Big Apple Circus Ltd.''</div><div style=font-size:98%;">''and inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, originally created as a project of the non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
  
===YURY NIKULIN===
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===THE REVERHOS===
  
[[File:Yury_Nikulin_Moscow.jpg|right|400px]]Yury Nikulin (1921-1997) was the Soviet Union’s (and later, Russia’s) greatest and most beloved clown, as well as a remarkable and equally beloved screen actor; his performing career covered more than three decades, from 1948 to 1981. Upon his retirement from the ring, he became Director of Moscow's "Old Circus" on Tsvetnoy Boulevard, which he had entirely rebuilt (from 1985-1989) into a modern facility by a Finnish company, thus bringing that cherished Moscow institution into the modern age, and restoring its prominence on the Russian and European circus scenes at a critical moment in Russian history.
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[[File:Reverhos_-_Scala.jpg|right|400px]]From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wire&mdash;and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.  
  
Yury Vladimirovich Nikulin (Юрий Владимирович Никулин) was born in a theatrical family on December 18, 1921, in Demidov, a small town in the province of Smolensk, in northwest Russia, near the Belarussian border. His father was Moscow-born Vladimir Andreyevich Nikulin (1898-1964); his mother, Lidiya Ivanovna Nikulina (1902-1979), was born Lidiya Germanova in Lievenhof (today's Līvāni) in Latvia, which was then part of the of the Russian Empire; she had moved to Demidov with relatives during the First World War to stay away from the combat zone. There, she met and married Vladimir Andreyevich.
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It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps&mdash;which they did. Or did at first…
  
When Yury was born, Vladimir Nikulin had just been discharged from the Red Army and got a job at the Drama Theater in Demidov, where Lidiya also worked as an actress. Then, he organized a traveling propaganda-theater group that promoted the brand-new Soviet regime through "revolutionary humor," and acted in plays which he also directed. In 1925, the Nikulin family moved to Moscow, where Vladimir wrote sketches for circus and variety shows&mdash;which were still intensely politicized then. He also organized the theater group at the school his son, Yury, attended. Later, he became a journalist.
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Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders&mdash;among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.  
  
On November 18, 1939, after graduating from high school, young Yury Nikulin was drafted into the Red Army for his three-year mandatory military service. This would have a long-lasting impact on Yury Nikulin as a man: In June 1941, the USSR declared war on Germany and the Axis powers, and what will be known in Russia as "The Great Patriotic War" started. Yury Nikulin was then serving in the 115th anti-aircraft artillery regiment. During the Soviet-Finnish war (1939-1940), his anti-aircraft battery had guarded the air approaches to Leningrad. ([[Yury Nikulin|more...]])
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Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... ([[The Reverhos|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Yury Nikulin]], Clown, Actor, Circus Director
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* [[Cirque Medrano (Paris)/fr|Cirque Medrano]], History &mdash; Version Française (French Version)
* [[Serge]], Circus Chronicler and Illustrator
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* [[The Reverhos]], Acrobatic Jugglers
* [[Alexandre Palisse]], Clown, Circus Owner
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* [[Francis Brunn]], Juggler
* [[Rico y Alex]], Clowns
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* [[Tereza Durova]], Animal Trainer
* [[Barbette]], Trapeze and Tightwire Artist
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* [[Alessandro Guerra]], Equestrian, Circus Director
  
 
==New Videos==
 
==New Videos==
  
* [[Ty_Tojo_Video_(2012)|Ty Tojo]], juggler (2012)
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* [[Amara_Video_(2024)|Amara Troupe]], teeterboard (2024)
* [[Sevryukov_Video_(2007)|Sevryukov Troupe]], flying act (2007)
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* [[Archie_and_Diane_Bennett_Video_(1977)|Archie & Diana Bennet]], contortionists (1977)
* [[Gulyamov_Video_(2022)|Hussain Gulyamov]], juggling and hula-hoops (2022)
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* [[Chu_Chuan_Ho_Video_(2023)|Chu Chuan Ho]], diabolo act (2023)
* [[Sokolov_Troupe_Amadeus_Video_(2014)|Sokolov Troupe]], ''Amadeus'', teeterboard act (2014)
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* [[Reverhos_Video_(1947)|The Reverhos]], acrobatic jugglers (1947)
* [[Hassak_Video_(2022)|Hassak Troupe]], balancing act (2022)
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* [[Cyclopes_Video_(2024)|Trio Cyclopes]], jugglers (2024)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 21:09, 12 December 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, originally created as a project of the non-profit Big Apple Circus.

In The Spotlight

THE REVERHOS

Reverhos - Scala.jpg
From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wireA Tight Wire, or Low Wire, kept slack, and generally used for juggling or balancing tricks.—and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.

It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps—which they did. Or did at first…

Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders—among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.

Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator