Difference between revisions of "Main Page"

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<div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, originally created as a project of the non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
  
===GIA ERADZE===
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===THE REVERHOS===
[[File:Gia_Eradze_and_Horse.jpeg|right|350px]]
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===''Recipient of the 2022 Circopedia Award''===
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In his early youth, Gia Eradze fell in love with the circus and decided he would become an animal trainer. From then on, nothing stopped him. Not only did he become a successful animal trainer, but his rich, extravagant visual imagination led him to create extremely successful shows that helped revive the creative image of the Russian circus at home and abroad, and eventually propelled him to new heights in the Russian circus artistic hierarchy.
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Gia Giulevich Eradze was born October 3, 1979 in Tbilisi, Georgia&mdash;which was then part of the Soviet Union. His father managed a supermarket, and his mother was Rector of Economics at the Tbilisi State University. His was a well-to-do family with no connection whatsoever with the performing arts in general, and the circus in particular.
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Yet, then as now, Tbilisi was a circus town: In 1888, the Nikitin brothers had built a wooden circus on Golovinsky Prospect (today Rustaveli Prospect), and what was then Tiflis became their home base. From there, they created a touring circuit for which they used circus buildings they erected over the years in several other cities, including Moscow.
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The original Circus Nikitin’s structure was destroyed by a fire in 1911, and Tbilisi’s new circus was housed for a long time in a former factory before being rebuilt in 1939 in its present location, on a hill on the left bank of the Kura river. It is there that a young Gia Eradze fell in love with the circus&mdash;and especially with animal acts. There and then, he decided he would be an animal trainer.
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[[File:Reverhos_-_Scala.jpg|right|400px]]From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wire&mdash;and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.  
  
He enrolled in the local Amateur Circus (Youth Circus) and began training in various circus disciplines, but he quickly discovered that Amateur Circuses (and circus schools for that matter) did not teach animal training. Working with animals is something you learn hands on, working with other animal trainers in a circus.
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It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps&mdash;which they did. Or did at first…
  
Gia was a precocious and strong-willed kid, and his determination eventually led him to truancy: when his father’s car took him to school in the morning, Gia waited until the chauffeur had left and changed trajectory, landing inevitably at the circus. In 1990, at age eleven, he managed to get a job as an assistant (or as a groom) with Nana Milkatze’s ''Horsemen of Georgia'' troupe of Cossack riders.
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Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders&mdash;among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.  
  
For a while, Gia’s mother wondered why, when her son came back from school, a whiff of hay and horses followed him in the house. When the cause was finally discovered, Gia held his ground firmly and made it clear that he had decided to work in the circus and that he wouldn’t budge. As a compromise, his parents accepted his decision, on the condition that he continued his schooling while working at the circus... ([[Gia Eradze|more...]])
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Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... ([[The Reverhos|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Little Billy Merchant]], Clown
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* [[Cirque Medrano (Paris)/fr|Cirque Medrano]], History &mdash; Version Française (French Version)
* [[Jacko Fossett]], Clown
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* [[The Reverhos]], Acrobatic Jugglers
* [[Circus Ring of Fame]], History
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* [[Francis Brunn]], Juggler
* [[Natalya Jigalova]], Aerialist
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* [[Tereza Durova]], Animal Trainer
* [[Guangzhou Acrobatic Troupe]], History
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* [[Alessandro Guerra]], Equestrian, Circus Director
  
 
==New Videos==
 
==New Videos==
  
* [[Ethiopia_Troupe_Video_(2022)|Troupe Ethiopia]], basket acrobatics (2022)
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* [[Shalamova-Martini_Video_(2024)|Anna Shalamova-Martini]], hand-balancer/contortionist (2024)
* [[Eva_Vida_Video_(1964)|Eva Vida]], juggler (1964)
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* [[Amara_Video_(2024)|Amara Troupe]], teeterboard (2024)
* [[Olandar_Video_(2022)|Vlad Olandar]], house cats (2022)
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* [[Archie_and_Diane_Bennett_Video_(1977)|Archie & Diana Bennet]], contortionists (1977)
* [[Nesterova_Video_(2022)|Alice Nesterova]], tiger act (2022)
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* [[Chu_Chuan_Ho_Video_(2023)|Chu Chuan Ho]], diabolo act (2023)
* [[Demitova_Video_(2022)|Anna Demitova]], hand balancer and foot juggler (2022)
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* [[Reverhos_Video_(1947)|The Reverhos]], acrobatic jugglers (1947)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 21:49, 21 December 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, originally created as a project of the non-profit Big Apple Circus.

In The Spotlight

THE REVERHOS

Reverhos - Scala.jpg
From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wireA Tight Wire, or Low Wire, kept slack, and generally used for juggling or balancing tricks.—and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.

It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps—which they did. Or did at first…

Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders—among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.

Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator