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<div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
[[File:Maryse_Begary_(Promotional_Picture).jpg|right|400px]]
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[[File:Ricketts,_Equestrian_Hero.png|300px|right]]
 
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===JOHN BILL RICKETTS===
===MARYSE BEGARY===
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Born Andrée Auclère on February 20, 1926 in Paris, France, the daughter of a baker, Maryse Begary (1926-2007) was one of the most accomplished and celebrated aerialists of her day, famous for her exceptional handstand on the trapeze bar&mdash;which she could hold for more than one minute&mdash;and her spectacular series of rotating one-arm planches (also known as "dislocations"), with which she emulated her idol, Lillian Leitzel (1892-1921).
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On April 3, 1793, a crowd of theatergoers, horsemanship enthusiasts, and prying citizens gathered at the corner of Market and Twelfth Streets in Philadelphia to witness the debut performance of Mr. John Bill Ricketts's company at the Circus. The Circus was a roofless arena that could accommodate some eight-hundred spectators (divided between pit and boxes) surrounding a circular riding space filled in with a mixture of soil and sawdust, forty-two feet in diameter—the ring.
  
Young Andrée started training on the trapeze on her doctor’s recommendation, to improve a poor health condition. She became apprentice to a celebrated gymnast on horizontal bars, Nicolas Marcoud, who had a successful career with the Marcoud-Banola Troupe. Andrée adopted his name (as was the tradition then, in the circus, when a young performer had apprenticed to a famous master) when she started her performing career. Thus, under the name of Andrée Marcoud, she made her professional debut at Paris’s Cirque Medrano on April 14, 1939; she was thirteen years old.
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The wooden construction had been erected in a matter of weeks by Ricketts, a British equestrian who had arrived from Scotland the previous year and had quickly established a riding school in Philadelphia, then the capital of the newly formed United States of America. Ricketts (1769-1802) had followed the example of Philip Astley, who had established just such a riding school in London in 1768, at the foot of Westminster Bridge, before creating there the first modern circus two years later.
  
Andrée Marcoud quickly made a name for herself: Her handstand on her trapeze bar didn’t fail to impress circus professionals and aficionados, and her act continued to improve over the years. After the German occupation of France during World War II, Andrée was featured in 1946 (and again in 1950) at Paris’s (and the world's) oldest permanent circus, the Cirque d’Hiver. The following year, she went on tour with the French Cirque Figuier under her real name, Andrée Auclère: Raymonde Marcoud, Nicolas Marcoud’s niece, was also performing at that time, and Andrée didn’t want to create any confusion.
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Before long, a small group of performers from Ricketts's former British company joined him in Philadelphia. Among them were his brother Francis (1777-?), an equestrian and tumbler; Mr. Spinacuta, the rope-dancer, along with his wife, an attractive equestrienne who rode two horses at full gallop; Mr. McDonald, another tumbler who performed comic acrobatic intermezzos as the Clown; and Ricketts's pupil, young Master Strobach. The performance included a great many "feats of horsemanship," most of them presented by Ricketts himself, rope-dancing, some tumbling, and McDonald's acrobatic parodies. This was the first circus show ever put on in America.
  
That same year, 1947, Andrée married Franz Begary, a former pilot in the French Air Force who had just left the military. Andrée Marcoud-Auclère finally became Andrée Begary, and changed her first name for the more romantic Maryse. It is under that name, Maryse Begary, that she continued her career&mdash;thus confusing a few circus chroniclers and historians: Andrée Marcoud and Maryse Begary are sometimes mentioned as "the two only aerialists" who, after the creator of the trick, Miss Fillis (Nicolas Marcoud's daughter), were able to hold a handstand on their trapeze bar! Franz Begary became Maryse’s assistant and manager, a marital partnership that would last until Maryse’s death.
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Young and good-looking, talented and enterprising, Ricketts had become an instant sensation. But if his contemporaries have described his acts extensively, little is known of his early life outside of circus. Fortunately, Gilbert Stuart left a superb, if unfinished, portrait which is now in the collection of the National Gallery of Art in Washington, and John Durang, one of the first American actors—who worked for Ricketts as a dancer, equestrian, acrobat, clown, scenic painter, and deputy manager from 1795-1800—has provided some hints of the man's character in his Memoir, composed circa 1820.
  
The amazing Maryse Begary was much in demand in France and Europe. In the winter 1949-1950, she was featured at Bertram Mill’s Circus at London’s Olympia, where she shared the bill with another legendary aerialist, Alma Piaïa. The next winter, she appeared at Circus Carré in Amsterdam, then under the management of the Strassburger family; she was twice featured at Glasgow’s Kelvin Hall in Scotland, and performed at Blackpool’s Tower Circus in England, Cirkus Schumann in Copenhagen, and Circo Americano-Castilla in Spain, among many other prestigious European venues.... ([[Maryse Bégary|more...]])
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John Bill Ricketts was born in October 1769 in Bilston, a small town near the city of Wolverhampton in the West Midlands, to Thomas Ricketts and his wife, Kinborrow, née Perry. His baptism was recorded on October 28, which suggests he was born a few days before. The Ricketts family, which was of Norman extraction and whose original patronymic was Ricard, had long belonged to the landed gentry of Staffordshire. At the turn of the eighteenth century, the elder branch settled in Jamaica, although several members of this very large branch of the family returned to England, either to study or to resettle; others established themselves in the colony of New Jersey in America. Thus Ricketts was not in alien territory when he landed in the newly formed United States. Neither would he be heading to unknown territories when, at the end of his American adventures, he sailed to the West Indies.... ([[John Bill Ricketts|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Little Billy Merchant]], Clown
+
* [[Richiardi Jr.]], magician
* [[Jacko Fossett]], Clown
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* [[Astley's Amphitheatre]], circus
* [[Circus Ring of Fame]], History
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* [[Virginie Kenebel]], equestrienne
* [[Natalya Jigalova]], Aerialist
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* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
* [[Guangzhou Acrobatic Troupe]], History
+
* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
  
 
==New Videos==
 
==New Videos==
  
* [[Bruno_Togni_Video_(2023)|Bruno Togni]], tiger act (2023)
+
* [[Karoly_Video_(1973)|Karoly Troupe]], flying trapeze (1973)
* [[Ruban_Troupe_Video_(2022)|Anatoliy Ruban Troupe]], teeterboard (2022)
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* [[Flying_Maluendas_Video_(2025)|The Flying Maluendas]], flying trapeze (2025)
* [[Ayala_Video_(2022)|The Ayala Troupe]], high wire (2022)
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* [[Richiardi_Video_(1974)|Richiardi Jr.]], illusionist (1974)
* [[Filinov_Video_(2022)|The Filinov Troupe]], Russian swing (2022)
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* [[Francescos_Video_(1974)|The Francescos]], clowns (1974)
* [[Huyen_Video_(2022)|Chu Thi Khanh Huyen]], aerial sword balancing (2022)
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* [[Ronni_Niemen_Video_(2010)|Ronni Niemen]], juggler (2010)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
 +
* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
 +
* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
 
* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
 
  
 
==Circopedia Books==
 
==Circopedia Books==
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==A Message from the Founder==
 
==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
+
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 21:23, 18 November 2025


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

Ricketts, Equestrian Hero.png

JOHN BILL RICKETTS

On April 3, 1793, a crowd of theatergoers, horsemanship enthusiasts, and prying citizens gathered at the corner of Market and Twelfth Streets in Philadelphia to witness the debut performance of Mr. John Bill Ricketts's company at the Circus. The Circus was a roofless arena that could accommodate some eight-hundred spectators (divided between pit and boxes) surrounding a circular riding space filled in with a mixture of soil and sawdust, forty-two feet in diameter—the ring.

The wooden construction(French) A temporary circus building, originally made of wood and canvas, and later, of steel elements supporting a canvas top and wooden wall. Also known as a "semi-construction." had been erected in a matter of weeks by Ricketts, a British equestrian who had arrived from Scotland the previous year and had quickly established a riding school in Philadelphia, then the capital of the newly formed United States of America. Ricketts (1769-1802) had followed the example of Philip Astley, who had established just such a riding school in London in 1768, at the foot of Westminster Bridge, before creating there the first modern circus two years later.

Before long, a small group of performers from Ricketts's former British company joined him in Philadelphia. Among them were his brother Francis (1777-?), an equestrian and tumbler; Mr. Spinacuta, the rope-dancer, along with his wife, an attractive equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback. who rode two horses at full gallop; Mr. McDonald, another tumbler who performed comic acrobatic intermezzos as the Clown; and Ricketts's pupil, young Master Strobach. The performance included a great many "feats of horsemanship," most of them presented by Ricketts himself, rope-dancing, some tumbling, and McDonald's acrobatic parodies. This was the first circus show ever put on in America.

Young and good-looking, talented and enterprising, Ricketts had become an instant sensation. But if his contemporaries have described his acts extensively, little is known of his early life outside of circus. Fortunately, Gilbert Stuart left a superb, if unfinished, portrait which is now in the collection of the National Gallery of Art in Washington, and John Durang, one of the first American actors—who worked for Ricketts as a dancer, equestrian, acrobat, clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team., scenic painter, and deputy manager from 1795-1800—has provided some hints of the man's character in his Memoir, composed circa 1820.

John Bill Ricketts was born in October 1769 in Bilston, a small town near the city of Wolverhampton in the West Midlands, to Thomas Ricketts and his wife, Kinborrow, née Perry. His baptism was recorded on October 28, which suggests he was born a few days before. The Ricketts family, which was of Norman extraction and whose original patronymic was Ricard, had long belonged to the landed gentry of Staffordshire. At the turn of the eighteenth century, the elder branch settled in Jamaica, although several members of this very large branch of the family returned to England, either to study or to resettle; others established themselves in the colony of New Jersey in America. Thus Ricketts was not in alien territory when he landed in the newly formed United States. Neither would he be heading to unknown territories when, at the end of his American adventures, he sailed to the West Indies.... (more...)

New Essays and Biographies

New Videos

  • Karoly Troupe, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (1973)
  • The Flying Maluendas, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (2025)
  • Richiardi Jr., illusionist (1974)
  • The Francescos, clowns (1974)
  • Ronni Niemen, juggler (2010)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator