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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, originally created as a project of the non-profit [[Big Apple Circus]]''.</div><br/>
  
 
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==In The Spotlight==
 
==In The Spotlight==
[[File:NC_Leopold_Loyal.jpg|right|350pix]]
 
===PARIS'S NOUVEAU CIRQUE===
 
  
Located from 1886 to 1926 on the rue Saint Honoré in Paris, a chic shopping thoroughfare at a stone’s throw from the Place Vendôme, the Nouveau Cirque was the most elegant and innovative circus of the French capital&mdash;and, for that matter, of Europe. For many years, it was the High Society’s circus of choice. Its relatively small size gave it warmth and intimacy (it was sometimes referred to as a "bonbonniere"), but in time, the Nouveau Cirque’s limited capacity made it difficult to manage. It began to lose its prominence before the first World War and proved unable to adapt to the post-war era.
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===FRANCIS BRUNN===
  
The Nouveau Cirque was built for its times&mdash;what is remembered today as the Parisian "Belle Époque" ("Beautiful Era"), of which it was one of the jewels. After WWI, Paris entered the Jazz Age. Then, in the early 1920s, the venerable Cirque d’Hiver, completely refurbished, returned to the presentation of circus shows after a rather futile hiatus as a movie-house and theater; the Cirque Medrano began to enjoy one of its more lucrative periods; and the brand-new Empire Music-Hall Cirque opened its doors Avenue de Wagram: The small "bonbonniere" that was the Nouveau Cirque looked suddenly like a remnant of another era. It faced a competition it was ill-equipped to fight. Once a revolutionary and trendsetting house whose rich and often glorious life had lasted forty years, the Nouveau Cirque finally called it quits.
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[[File:Francis_Brunn_in_Paris.jpeg|right|300px]]Francis Brunn (1922-2004) is justly considered one of the greatest jugglers of the twentieth century. In 1950, the legendary ''New York Times'' theater critic Brooks Atkinson said that he was "the greatest juggler of the ages," adding with his usual humor: "Not many people in the world are as perfectly adjusted as Mr. Brunn is. He will never have to visit a psychiatrist." What characterized Francis Brunn was not so much the tricks he performed (although they were spectacular) as the speed, precision and balletic quality of his act.
  
The Nouveau Cirque was created by Joseph Oller (1839-1922), an imaginative entrepreneur and prolific provider of Parisian amusements. He was born Josep Oller i Roca in Terrassa, in Spanish Catalonia, on February 10, 1839; his parents were Francesc Oller, a fabric merchant, and his wife, Teresa, née Roca. The family emigrated to France when Josep was two years old, and the Ollers settled in Paris where Josep, now Joseph, was raised. He eventually returned to Spain to study at the University of Bilbao in the Basque Country, and while there, he discovered cockfighting, which was still very popular in the nineteenth century. His passion for this gory game led him to become a bookmaker&mdash;his first entrepreneurial endeavor.
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He was born Franz Josef Brunn on November 15, 1922, in Aschaffenburg, southwest of Frankfurt, in Bavaria (Germany). His parents were not in show business: his father, Michael Aloysius Brunn (1898-1980) was a restaurant owner, but he was also a three-time champion diver; his mother Pauline, née Schobert, was a homemaker. Franz had three sisters, Lotti (1925-2008), Jutta, and Anni. He also had a half-brother, Ernst Kuhn, later known as Ernest Montego (1936-2016), who would also become a great juggler. (All siblings and their parents would eventually resettle in the U.S.)
  
Back to Paris, Oller transferred his bookmaking activities to horse racing. France had gained by then a new Emperor, Napoléon III, whose half-brother, the Duc de Morny, had been influential in the development of horse racing in France and had built the Deauville-La Touques racetrack in 1862. Morny died in 1865, but with his help, Oller had begun to develop the concept of the "pari mutuel" (literally meaning "mutual betting"), an innovative system in which bets are placed in a pool, and the winners share the losers' stakes&mdash;after the bookmaker has taken his commission. Oller put his new system to work in 1867; it replaced advantageously fixed-odds betting and made him a rich man indeed. Oller also launched ''Le Bulletin des Courses'', France’s first horse-racing journal.... ([[Nouveau Cirque (Paris)|more...]])
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Juggling entered the family during WWI, when Michael Brunn was interned in a prisoner camp in France. Through the barbed wires, he observed a man who was juggling three balls. Out of boredom, Michael decided to teach himself to do the same with three stones. Later, he taught his children the basics of juggling using three oranges: Under his guidance, Franz and Lotti acquired the basics of the craft, but didn't yet seriously consider developing their skills.
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Like his champion-diver father, Franz was very physical. Michael trained him in gymnastics, diving, and acrobatics, which gave his son a strong base. Franz then attended Berlin's University of the Arts, which had an important performing arts section. It is in 1937, in the brand-new ''Menschen, Tiere, Sensationen'' show at Berlin's Deutschlandhalle, that Franz saw an artist who truly inspired him, the Italian juggler Angelo Picinelli (1921-2004). Picinelli worked mainly in variety theaters, which were numerous and very popular then in Germany, and this charismatic and gifted juggler was a major variety star.
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Franz was hooked: he already knew the basics, and then, a friend took him to watch a juggler rehearsing; he saw what could be done with training, and he liked it. He heard of the legendary Enrico Rastelli (1896-1931), the greatest juggler of all times who died untimely at age thirty-five, and he watched the films that had recorded his work. He also read ''Das Wunder der tanzenden Bälle'' ("The Miracle of the Dancing Balls", 1938) by the great circus chronicler and novelist A.H. Kober, which became another source of inspiration.
 +
 
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Ball manipulation, which was one of Rastelli's many talents and became a Francis Brunn trademark, was not completely unknown to him thanks to his practice of football (soccer). Then, to pure juggling, Francis added his acrobatic and dancing abilities. (He developed in time a passion for Flamenco, which eventually defined his style.) His sister Lotti also entered the game, and became his partner&mdash;although she developed impressive skills of her own, sometimes comparable to her brother's.... ([[Francis Brunn|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Totti Alexis]], Clown
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* [[The Reverhos]], Acrobatic Jugglers
* [[Ross Mollison]], Circus Producer
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* [[Francis Brunn]], Juggler
* [[Don Saunders]], Clown
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* [[Tereza Durova]], Animal Trainer
* [[Jo-Ann Jennier]], Aerialist, Animal Trainer
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* [[Alessandro Guerra]], Equestrian, Circus Director
* [[Ethel Jennier]], Aerialist, Animal Trainer
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* [[Jimmy Scott]], Clown
  
 
==New Videos==
 
==New Videos==
  
* [[Totti_Alexis_Video_(2019)|Totti & Charlie Alexis]], musical clowns (2019)
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* [[Archie_and_Diane_Bennett_Video_(1977)|Archie & Diana Bennet]], contortionists (1977)
* [[Collins_Brothers_Video_(1993)|The Collins Brothers]], comedy trapeze act (1993)
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* [[Chu_Chuan_Ho_Video_(2023)|Chu Chuan Ho]], diabolo act (2023)
* [[Totti_Alexis_Video_(2015)|Totti Alexis]], musical clown (2015)
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* [[Reverhos_Video_(1947)|The Reverhos]], acrobatic jugglers (1947)
* [[Totti_Alexis_Video_(2010)|Totti Alexis]], clown (2010)
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* [[Cyclopes_Video_(2024)|Trio Cyclopes]], jugglers (2024)
* [[Peter_Shub_Video_(2015)|Peter Shub]], clown (2015)
+
* [[Triple_Breath_Video_(2023)|Triple Breath]], high wire act (2023)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 00:47, 26 November 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, originally created as a project of the non-profit Big Apple Circus.

In The Spotlight

FRANCIS BRUNN

Francis Brunn in Paris.jpeg
Francis Brunn (1922-2004) is justly considered one of the greatest jugglers of the twentieth century. In 1950, the legendary New York Times theater critic Brooks Atkinson said that he was "the greatest juggler of the ages," adding with his usual humor: "Not many people in the world are as perfectly adjusted as Mr. Brunn is. He will never have to visit a psychiatrist." What characterized Francis Brunn was not so much the tricks he performed (although they were spectacular) as the speed, precision and balletic quality of his act.

He was born Franz Josef Brunn on November 15, 1922, in Aschaffenburg, southwest of Frankfurt, in Bavaria (Germany). His parents were not in show business: his father, Michael Aloysius Brunn (1898-1980) was a restaurant owner, but he was also a three-time champion diver; his mother Pauline, née Schobert, was a homemaker. Franz had three sisters, Lotti (1925-2008), Jutta, and Anni. He also had a half-brother, Ernst Kuhn, later known as Ernest Montego (1936-2016), who would also become a great juggler. (All siblings and their parents would eventually resettle in the U.S.)

Juggling entered the family during WWI, when Michael Brunn was interned in a prisoner camp in France. Through the barbed wires, he observed a man who was juggling three balls. Out of boredom, Michael decided to teach himself to do the same with three stones. Later, he taught his children the basics of juggling using three oranges: Under his guidance, Franz and Lotti acquired the basics of the craft, but didn't yet seriously consider developing their skills.

Like his champion-diver father, Franz was very physical. Michael trained him in gymnastics, diving, and acrobatics, which gave his son a strong base. Franz then attended Berlin's University of the Arts, which had an important performing arts section. It is in 1937, in the brand-new Menschen, Tiere, Sensationen show at Berlin's Deutschlandhalle, that Franz saw an artist who truly inspired him, the Italian juggler Angelo Picinelli (1921-2004). Picinelli worked mainly in variety theaters, which were numerous and very popular then in Germany, and this charismatic and gifted juggler was a major variety star.

Franz was hooked: he already knew the basics, and then, a friend took him to watch a juggler rehearsing; he saw what could be done with training, and he liked it. He heard of the legendary Enrico Rastelli (1896-1931), the greatest juggler of all times who died untimely at age thirty-five, and he watched the films that had recorded his work. He also read Das Wunder der tanzenden Bälle ("The Miracle of the Dancing Balls", 1938) by the great circus chronicler and novelist A.H. Kober, which became another source of inspiration.

Ball manipulation, which was one of Rastelli's many talents and became a Francis Brunn trademark, was not completely unknown to him thanks to his practice of football (soccer). Then, to pure juggling, Francis added his acrobatic and dancing abilities. (He developed in time a passion for Flamenco, which eventually defined his style.) His sister Lotti also entered the game, and became his partner—although she developed impressive skills of her own, sometimes comparable to her brother's.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator