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==In The Spotlight==
 
==In The Spotlight==
  
===ALEXIS GRUSS, Jr.===
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===ALEXANDRE PALISSE===
[[File:Alexis_Gruss,_Jr.jpg|right|450px]]
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He had been called "Le seigneur des chevaux" ("The Lord of the Horses"): Alexis Gruss (1944-2024) was for many years France’s leading circus personality, a living legend and a true media star, as well as a distinctively innovative circus creator. He was also recognized as one of the greatest horse trainers of his time, both in the circus world and in equestrian circles.
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Early Years[edit]
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Alexis Jacques André Gruss was born in his parents' living trailer on April 24, 1944, in Bart, a French village near the city of Montbéliard, in the east of France, not far from the Swiss border. He was fourth generation of a circus family of Alsatian and Italian mixed origins. His father was Théophile André Gruss, better known as Dédé (1919-2003), a talented bareback rider who became not only a circus director, but also a popular auguste. Alexis’s mother, Hélène Maud (1919-2003), née Lautour, came for the world of traveling menageries.
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[[File:Palisse_in_costume.png|350px|right]]In the first half of the twentieth century, Alexandre Palisse (1876-1932) managed one of the best circuses touring the French provinces (and some bordering countries); in addition, his traveling equipment, which he conceived, was extremely innovative at the time and would inspire some of his competitors' way of touring. Palisse was also a clown, well known in Europe and South America for his spectacular costumes, his impeccable makeup, and his talent for training small animals. After his death in 1932, Jérôme Medrano bought and continued to exploit his elegant and revolutionary touring circus.  
  
Alexis Gruss was raised in the Cirque Gruss-Jeannet, the circus co-owned and managed by his uncle, Alexis Gruss, Sr. (1909-1985), André Gruss, and their friend Lucien Jeannet (1902-1977), heir to a dynasty of traveling animal trainers; it was one of France’s premier circuses, variously known under the titles ''Radio-Circus'', ''Medrano Voyageur'', ''Cirque-Zoo Jean Richard'', and ''Grand Cirque de France''. There, Alexis, his brother Patrick (b.1950), and his sisters Bella (1948-2012) and Martine (1956-1994) were trained in all circus disciplines by their father and their uncle Alexis—who was to become France’s leading Equestrian Master.
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Alexandre François Palisse was born in a circus family on November 17, 1876, during the family's stay in Saint-Chamond, an early industrial town in the Rhône-Alpes region of France. His father was Louis-Marius Palisse (1856-1891), an acrobat; his mother, Louise (1859-1895), née Bertoletti, was an equestrienne. Alexandre, who had a younger brother, Nicolas (1879-1938, an acrobat), was fifteen when he lost his father, and his mother died four years later: He had to help supporting his family at a young age, which developed in him earnestness and a sense of responsibility that was in no small part the reason of his success in life.
  
In 1970, Alexis married Gipsy Bouglione (b. 1947), the daughter of Firmin Bouglione, Sr., a gifted tightwire artist and an outstanding juggler, who was to become one of the most versatile and brilliant circus artists of her generation. In 1969, after a very bad season, Alexis Gruss, Sr. left the Cirque Gruss-Jeannet to join the famous French comedian, actor, and amateur lion trainer Jean Richard, who had just opened his very own circus; two years later, Lucien Jeannet also called it quits.
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He was a good acrobat and tumbler, and had a knack for training small domestic animals, notably dogs. This led him to clowning, since small animal training was at the time regarded as the domain of clowns (which was spectacularly demonstrated by many of them, notably Anatoly and Vladimir Durov). Palisse worked either alone or with partners such as Pierre Perié (who will also create his own, successful circus) and Leonardo Ceratto, with whom he worked extensively in Spain and Portugal, and even in Argentina, where he had an enormous success with his trademark trained bulldogs.  
  
Left under Alexis and his father’s management, the circus united forces in 1972 with Roger Lanzac, the iconic ringmaster of the French television show ''La Piste aux Étoiles''. Alas, Under the title ''La Piste d’Or'', the new venture didn’t meet with the success they had hoped for, and the show folded before the end of the season. At long last, Alexis convinced André that they should tour under their own name, ''Gruss''—but, after so many different identities, the title ''Cirque Gruss'' had no pull. By the summer of 1974, the family enterprise had reached the end of the rope.... ([[Alexis Gruss, Jr.|more...]])
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Around 1903-1904, Palisse was performing at the Cirque Plège, a popular French traveling circus of the period, which was showing at the annual fair of Amiens, in the north of France. Also at the fair was the ''Théâtre Grenier'', a well-known traveling theater created by Ernest Grenier (1855-1920), which presented a mixture of short films (a great novelty then) and variety acts. Adrienne Grenier (1882-1959), the owner's daughter, fell in love with Palisse, whom she went and see perform every day after her own performance at the Théâtre Grenier. Palisse reciprocated her feelings, and they were married in Caen, Normandy, on April 9, 1904—just before the start of this port city's annual fair. Then, in the summer of 1906, Palisse was touring in South America with Adrienne when, on July 4 in Montevideo, Uruguay, she gave him a son whom they named after his maternal grandfather, Ernest.
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Now that he was Enest Grenier's son-in-law, Palisse became a regular fixture of the Théâtre Grenier's programs. Grenier liked Palisse as a clown, but he also appreciated his seriousness; Palisse was helpful, hard-working, and a good addition to the family. The Théâtre Grenier was a successful business and, as an insider, Palisse had the opportunity to learn how to run efficiently a traveling entertainment organization; furthermore, not a simple employee anymore, he enjoyed his new status as member of a performing family that ran its own business, and he began entertaining the possibility of creating his own traveling circus. He eventually shared his aspirations with his father-in-law, who was willing to help finance his project..... ([[Alexandre Palisse|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Alona Zhuravel]], Hand-Balancer
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* [[Francis Brunn]], Juggler
* [[George Carl]], Clown
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* [[Tereza Durova]], Animal Trainer
* [[Cedric Walker]], Circus Owner
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* [[Alessandro Guerra]], Equestrian, Circus Director
* [[The Aragón Family]], Clown Dynasty
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* [[Jimmy Scott]], Clown
* [[Totti Alexis]], Clown
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* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
  
 
==New Videos==
 
==New Videos==
  
* [[Flying_Gonzalez_Video_(2024)|The Flying González]], flying trapeze (2024)
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* [[Cyclopes_Video_(2024)|Trio Cyclopes]], jugglers (2024)
* [[Gaston_%26_Roli_Video_(2017)|Gaston & Roli]], clown entrée (2017)
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* [[Triple_Breath_Video_(2023)|Triple Breath]], high wire act (2023)
* [[Alona_Zhuravel_Video_(2019)|Alona Zhuravel]], Hand Balancer (2019)
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* [[Evsukevich Video (2010)|Pavel Evsukevich]], juggler (2010)  
* [[George_Carl_Video_(1988)|George Carl]], clown entrée (1988)
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* [[Acroart_Video_(2024)|Duo AcroArt]], Cyr wheel (2024)
* [[George_Carl_Video_(1979)|George Carl]], clown entrée (1979)
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* [[Koechlin_Video_(2024)|Stephanie & Valerie Koechlin]], aerial hoop (2024)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 23:19, 26 October 2024


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Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

ALEXANDRE PALISSE

Palisse in costume.png
In the first half of the twentieth century, Alexandre Palisse (1876-1932) managed one of the best circuses touring the French provinces (and some bordering countries); in addition, his traveling equipment, which he conceived, was extremely innovative at the time and would inspire some of his competitors' way of touring. Palisse was also a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team., well known in Europe and South America for his spectacular costumes, his impeccable makeup, and his talent for training small animals. After his death in 1932, Jérôme Medrano bought and continued to exploit his elegant and revolutionary touring circus.

Alexandre François Palisse was born in a circus family on November 17, 1876, during the family's stay in Saint-Chamond, an early industrial town in the Rhône-Alpes region of France. His father was Louis-Marius Palisse (1856-1891), an acrobat; his mother, Louise (1859-1895), née Bertoletti, was an equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback.. Alexandre, who had a younger brother, Nicolas (1879-1938, an acrobat), was fifteen when he lost his father, and his mother died four years later: He had to help supporting his family at a young age, which developed in him earnestness and a sense of responsibility that was in no small part the reason of his success in life.

He was a good acrobat and tumbler, and had a knack for training small domestic animals, notably dogs. This led him to clowning, since small animal training was at the time regarded as the domain of clowns (which was spectacularly demonstrated by many of them, notably Anatoly and Vladimir Durov). Palisse worked either alone or with partners such as Pierre Perié (who will also create his own, successful circus) and Leonardo Ceratto, with whom he worked extensively in Spain and Portugal, and even in Argentina, where he had an enormous success with his trademark trained bulldogs.

Around 1903-1904, Palisse was performing at the Cirque Plège, a popular French traveling circus of the period, which was showing at the annual fair of Amiens, in the north of France. Also at the fair was the Théâtre Grenier, a well-known traveling theater created by Ernest Grenier (1855-1920), which presented a mixture of short films (a great novelty then) and variety acts. Adrienne Grenier (1882-1959), the owner's daughter, fell in love with Palisse, whom she went and see perform every day after her own performance at the Théâtre Grenier. Palisse reciprocated her feelings, and they were married in Caen, Normandy, on April 9, 1904—just before the start of this port city's annual fair. Then, in the summer of 1906, Palisse was touring in South America with Adrienne when, on July 4 in Montevideo, Uruguay, she gave him a son whom they named after his maternal grandfather, Ernest.

Now that he was Enest Grenier's son-in-law, Palisse became a regular fixture of the Théâtre Grenier's programs. Grenier liked Palisse as a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team., but he also appreciated his seriousness; Palisse was helpful, hard-working, and a good addition to the family. The Théâtre Grenier was a successful business and, as an insider, Palisse had the opportunity to learn how to run efficiently a traveling entertainment organization; furthermore, not a simple employee anymore, he enjoyed his new status as member of a performing family that ran its own business, and he began entertaining the possibility of creating his own traveling circus. He eventually shared his aspirations with his father-in-law, who was willing to help finance his project..... (more...)

New Essays and Biographies

New Videos

  • Trio Cyclopes, jugglers (2024)
  • Triple Breath, high wireA tight, heavy metallic cable placed high above the ground, on which wire walkers do crossings and various acrobatic exercises. Not to be confused with a tight wire. act (2023)
  • Pavel Evsukevich, juggler (2010)
  • Duo AcroArt, Cyr wheel (2024)
  • Stephanie & Valerie Koechlin, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2024)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator