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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, originally created as a project of the non-profit [[Big Apple Circus]]''.</div><br/>
  
 
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==In The Spotlight==
 
==In The Spotlight==
[[File:Luisita_Leers_trap.jpg|right|350px]]
 
===LUISITA LEERS===
 
  
Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-stander—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.
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===FRANCIS BRUNN===
  
Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman rings. She was eleven years old! Soon, she could perform a one-arm "plange" (or planche) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.
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[[File:Francis_Brunn_in_Paris.jpeg|right|300px]]Francis Brunn (1922-2004) is justly considered one of the greatest jugglers of the twentieth century. In 1950, the legendary ''New York Times'' theater critic Brooks Atkinson said that he was "the greatest juggler of the ages," adding with his usual humor: "Not many people in the world are as perfectly adjusted as Mr. Brunn is. He will never have to visit a psychiatrist." What characterized Francis Brunn was not so much the tricks he performed (although they were spectacular) as the speed, precision and balletic quality of his act.
  
Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapeze, and the undisputed star of the show, Lillian Leitzel, on the Roman rings.... ([[Luisita Leers|more...]])
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He was born Franz Josef Brunn on November 15, 1922, in Aschaffenburg, southwest of Frankfurt, in Bavaria (Germany). His parents were not in show business: his father, Michael Aloysius Brunn (1898-1980) was a restaurant owner, but he was also a three-time champion diver; his mother Pauline, née Schobert, was a homemaker. Franz had three sisters, Lotti (1925-2008), Jutta, and Anni. He also had a half-brother, Ernst Kuhn, later known as Ernest Montego (1936-2016), who would also become a great juggler. (All siblings and their parents would eventually resettle in the U.S.)
 +
 
 +
Juggling entered the family during WWI, when Michael Brunn was interned in a prisoner camp in France. Through the barbed wires, he observed a man who was juggling three balls. Out of boredom, Michael decided to teach himself to do the same with three stones. Later, he taught his children the basics of juggling using three oranges: Under his guidance, Franz and Lotti acquired the basics of the craft, but didn't yet seriously consider developing their skills.
 +
 
 +
Like his champion-diver father, Franz was very physical. Michael trained him in gymnastics, diving, and acrobatics, which gave his son a strong base. Franz then attended Berlin's University of the Arts, which had an important performing arts section. It is in 1937, in the brand-new ''Menschen, Tiere, Sensationen'' show at Berlin's Deutschlandhalle, that Franz saw an artist who truly inspired him, the Italian juggler Angelo Picinelli (1921-2004). Picinelli worked mainly in variety theaters, which were numerous and very popular then in Germany, and this charismatic and gifted juggler was a major variety star.
 +
 
 +
Franz was hooked: he already knew the basics, and then, a friend took him to watch a juggler rehearsing; he saw what could be done with training, and he liked it. He heard of the legendary Enrico Rastelli (1896-1931), the greatest juggler of all times who died untimely at age thirty-five, and he watched the films that had recorded his work. He also read ''Das Wunder der tanzenden Bälle'' ("The Miracle of the Dancing Balls", 1938) by the great circus chronicler and novelist A.H. Kober, which became another source of inspiration.
 +
 
 +
Ball manipulation, which was one of Rastelli's many talents and became a Francis Brunn trademark, was not completely unknown to him thanks to his practice of football (soccer). Then, to pure juggling, Francis added his acrobatic and dancing abilities. (He developed in time a passion for Flamenco, which eventually defined his style.) His sister Lotti also entered the game, and became his partner&mdash;although she developed impressive skills of her own, sometimes comparable to her brother's.... ([[Francis Brunn|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
+
* [[The Reverhos]], Acrobatic Jugglers
* [[Alona Zhuravel]], Hand-Balancer
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* [[Francis Brunn]], Juggler
* [[George Carl]], Clown
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* [[Tereza Durova]], Animal Trainer
* [[Cedric Walker]], Circus Owner
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* [[Alessandro Guerra]], Equestrian, Circus Director
* [[The Aragón Family]], Clown Dynasty
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* [[Jimmy Scott]], Clown
  
 
==New Videos==
 
==New Videos==
  
* [[Davio_Togni_Video_(c.1995)|Davio Togni]], hippo, rhino and leopard act (c.1995)
+
* [[Archie_and_Diane_Bennett_Video_(1977)|Archie & Diana Bennet]], contortionists (1977)
* [[Pneumatic_Arts_Video_(2024)|Pneumatic Arts]], flying trapeze (2024)
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* [[Chu_Chuan_Ho_Video_(2023)|Chu Chuan Ho]], diabolo act (2023)
* [[Dziuba_Video_(2023)|Victoriia Dziuba]], hand-balancer (2023)
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* [[Reverhos_Video_(1947)|The Reverhos]], acrobatic jugglers (1947)
* [[Bella_Ringenbach_Video_(2002)|Bella Ringenbach]], tiger act (2002)
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* [[Cyclopes_Video_(2024)|Trio Cyclopes]], jugglers (2024)
* [[Alexis_Gruss_Liberty_Video_(2022)|Alexis Gruss]], liberty presentation (2022)
+
* [[Triple_Breath_Video_(2023)|Triple Breath]], high wire act (2023)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 00:47, 26 November 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, originally created as a project of the non-profit Big Apple Circus.

In The Spotlight

FRANCIS BRUNN

Francis Brunn in Paris.jpeg
Francis Brunn (1922-2004) is justly considered one of the greatest jugglers of the twentieth century. In 1950, the legendary New York Times theater critic Brooks Atkinson said that he was "the greatest juggler of the ages," adding with his usual humor: "Not many people in the world are as perfectly adjusted as Mr. Brunn is. He will never have to visit a psychiatrist." What characterized Francis Brunn was not so much the tricks he performed (although they were spectacular) as the speed, precision and balletic quality of his act.

He was born Franz Josef Brunn on November 15, 1922, in Aschaffenburg, southwest of Frankfurt, in Bavaria (Germany). His parents were not in show business: his father, Michael Aloysius Brunn (1898-1980) was a restaurant owner, but he was also a three-time champion diver; his mother Pauline, née Schobert, was a homemaker. Franz had three sisters, Lotti (1925-2008), Jutta, and Anni. He also had a half-brother, Ernst Kuhn, later known as Ernest Montego (1936-2016), who would also become a great juggler. (All siblings and their parents would eventually resettle in the U.S.)

Juggling entered the family during WWI, when Michael Brunn was interned in a prisoner camp in France. Through the barbed wires, he observed a man who was juggling three balls. Out of boredom, Michael decided to teach himself to do the same with three stones. Later, he taught his children the basics of juggling using three oranges: Under his guidance, Franz and Lotti acquired the basics of the craft, but didn't yet seriously consider developing their skills.

Like his champion-diver father, Franz was very physical. Michael trained him in gymnastics, diving, and acrobatics, which gave his son a strong base. Franz then attended Berlin's University of the Arts, which had an important performing arts section. It is in 1937, in the brand-new Menschen, Tiere, Sensationen show at Berlin's Deutschlandhalle, that Franz saw an artist who truly inspired him, the Italian juggler Angelo Picinelli (1921-2004). Picinelli worked mainly in variety theaters, which were numerous and very popular then in Germany, and this charismatic and gifted juggler was a major variety star.

Franz was hooked: he already knew the basics, and then, a friend took him to watch a juggler rehearsing; he saw what could be done with training, and he liked it. He heard of the legendary Enrico Rastelli (1896-1931), the greatest juggler of all times who died untimely at age thirty-five, and he watched the films that had recorded his work. He also read Das Wunder der tanzenden Bälle ("The Miracle of the Dancing Balls", 1938) by the great circus chronicler and novelist A.H. Kober, which became another source of inspiration.

Ball manipulation, which was one of Rastelli's many talents and became a Francis Brunn trademark, was not completely unknown to him thanks to his practice of football (soccer). Then, to pure juggling, Francis added his acrobatic and dancing abilities. (He developed in time a passion for Flamenco, which eventually defined his style.) His sister Lotti also entered the game, and became his partner—although she developed impressive skills of her own, sometimes comparable to her brother's.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator