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==In The Spotlight==
 
==In The Spotlight==
  
===THE REVERHOS===
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===STRUPPI HANNEFORD===
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[[File:Princess_Tajana_Portrait.jpg|right|300px]]
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Struppi Hanneford (1931-2014) was a major star aerialist before becoming a high-wire dancer, a wild animal trainer, and eventually, one of the United States’ foremost circus producers along with her husband, Tommy Hanneford (1927-2005). Her circus career, both as an artist and a producer, spanned the entire second half of the twentieth century and the first decade of the twenty-first.
  
[[File:Reverhos_-_Scala.jpg|right|400px]]From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wire—and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.  
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She was born Gertrude Zimmerman on September 26, 1931 in Speyer, a small town in Rhineland-Palatinate, near Mannheim in Germany. Her family had no connection with the circus or the performing arts: Her father was a baker, and her mother a homemaker. Yet at a very young age, Gertrude showed a keen interest for gymnastics and all things physical, which was strongly encouraged by her parents—in a country where, at the time, physical education was kept in very high regard.
  
It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps—which they did. Or did at first…
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As a little child, Gertrude used to hang from a bar that her father held with his hands; she enjoyed it, and created little routines of her own. When she was seven, her mother heard of a former trapeze artist whose husband was in the military, and who gave trapeze lessons to augment the family income. Thus Gertrude (Trude) Johann entered the life of Gertrude Zimmerman and became her trapeze teacher.  
  
Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders—among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.  
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Trude Johann is also credited with giving Gertrude the nickname under which she would be known for the rest of her life, "Struppi." It was a diminutive of ''Struppigel'', a made-up word that is hard to translate, but would mean something like "hedgehog turned wild," perhaps a good description of what Gertrude’s character was like then—and indeed in adulthood Struppi was a very strong woman, in all meanings of the term.  
  
Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... ([[The Reverhos|more...]])
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Little Struppi showed good dispositions for trapeze, and eventually Trude built an act for her. She believed Struppi was ready to perform, but WWII had broken out and it was not the best time to start a career if you were not born into the business: The project didn’t come to fruition. Furthermore, as the war dragged on, life became increasingly difficult in Germany, and Struppi and Trude’s worlds eventually drifted apart.
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Nonetheless, Struppi continued training in gymnastics, took ballet classes, and dreaming of participating one day in the Olympics (which had been held in Berlin in 1936 and had left a strong impression on the five-year-old girl she was then), she also began to train in Competitive Diving. Meanwhile the Wehrmacht had drafted Struppi’s father; some time later he was killed in action.... ([[Struppi Hanneford|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
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==New Videos==
 
==New Videos==
  
* [[Darya_Davidenko_Video_(2023)|Darya Davidenko]], hula-hoops (2023)
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* [[Berosinis_Video_(1964)|The Berosinis]], Risley act (1964)
* [[Shalamova-Martini_Video_(2024)|Anna Shalamova-Martini]], hand-balancer/contortionist (2024)
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* [[Pieric_Video_(1993)|Pieric and Djuboudiep]], clowns (1993)
* [[Amara_Video_(2024)|Amara Troupe]], teeterboard (2024)
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* [[Duo_Disar_Video_(2024)|Duo Disar]], strap act (2024)
* [[Archie_and_Diane_Bennett_Video_(1977)|Archie & Diana Bennet]], contortionists (1977)
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* [[Sattarov_Konovalov_Video_(2023)|Anvar Sattarov & Nikolai Konovalov]], clowns (2023)
* [[Chu_Chuan_Ho_Video_(2023)|Chu Chuan Ho]], diabolo act (2023)
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* [[Kolev_Sisters_Video_(2024)|The Kolev Sisters]], hand-to-hand balancing (2024)
  
 
==New Oral Histories==
 
==New Oral Histories==
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==A Message from the Founder==
 
==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
+
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 23:25, 19 February 2025


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, originally created as a project of the non-profit Big Apple Circus.

In The Spotlight

STRUPPI HANNEFORD

Princess Tajana Portrait.jpg

Struppi Hanneford (1931-2014) was a major star aerialistAny acrobat working above the ring on an aerial equipment such as trapeze, Roman Rings, Spanish web, etc. before becoming a high-wire dancer, a wild animal trainer, and eventually, one of the United States’ foremost circus producers along with her husband, Tommy Hanneford (1927-2005). Her circus career, both as an artist and a producer, spanned the entire second half of the twentieth century and the first decade of the twenty-first.

She was born Gertrude Zimmerman on September 26, 1931 in Speyer, a small town in Rhineland-Palatinate, near Mannheim in Germany. Her family had no connection with the circus or the performing arts: Her father was a baker, and her mother a homemaker. Yet at a very young age, Gertrude showed a keen interest for gymnastics and all things physical, which was strongly encouraged by her parents—in a country where, at the time, physical education was kept in very high regard.

As a little child, Gertrude used to hang from a bar that her father held with his hands; she enjoyed it, and created little routines of her own. When she was seven, her mother heard of a former trapeze artist whose husband was in the military, and who gave trapeze lessons to augment the family income. Thus Gertrude (Trude) Johann entered the life of Gertrude Zimmerman and became her trapeze teacher.

Trude Johann is also credited with giving Gertrude the nickname under which she would be known for the rest of her life, "Struppi." It was a diminutive of Struppigel, a made-up word that is hard to translate, but would mean something like "hedgehog turned wild," perhaps a good description of what Gertrude’s character was like then—and indeed in adulthood Struppi was a very strong woman, in all meanings of the term.

Little Struppi showed good dispositions for trapeze, and eventually Trude built an act for her. She believed Struppi was ready to perform, but WWII had broken out and it was not the best time to start a career if you were not born into the business: The project didn’t come to fruition. Furthermore, as the war dragged on, life became increasingly difficult in Germany, and Struppi and Trude’s worlds eventually drifted apart.

Nonetheless, Struppi continued training in gymnastics, took ballet classes, and dreaming of participating one day in the Olympics (which had been held in Berlin in 1936 and had left a strong impression on the five-year-old girl she was then), she also began to train in Competitive Diving. Meanwhile the Wehrmacht had drafted Struppi’s father; some time later he was killed in action.... (more...)

New Essays and Biographies

New Videos

  • The Berosinis, Risley actAct performed by Icarists, in which one acrobat, lying on his back, juggles another acrobat with his feet. (Named after Richard Risley Carlisle, who developed this type of act.) (1964)
  • Pieric and Djuboudiep, clowns (1993)
  • Duo Disar, strap actAerial act performed hanging from a pair of fabric or leather straps. (See Aerial Straps.) (2024)
  • Anvar Sattarov & Nikolai Konovalov, clowns (2023)
  • The Kolev Sisters, hand-to-handAn acrobatic act in which one or more acrobats do hand-balancing in the hands of an under-stander. balancing (2024)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator