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==In The Spotlight==
 
==In The Spotlight==
  
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===THE CIRCUS ON TSVETNOY BOULEVARD===
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===ALEXANDRE PALISSE===
  
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Circus buildings with a long history have something magical. They seem haunted by the protective ghosts of the great star performers who, over the years, have graced their ring. The world’s oldest extant circus building, Paris’s Cirque d’Hiver, where Jules Léotard originated the flying trapeze in 1859, is one of them. The glorious Circus Ciniselli in St. Petersburg, Russia’s oldest circus, is another one. And in Moscow, there is Circus Nikulin—"the Old Circus on Tsvetnoy Boulevard."
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Alexandre François Palisse was born in a circus family on November 17, 1876, during the family's stay in Saint-Chamond, an early industrial town in the Rhône-Alpes region of France. His father was Louis-Marius Palisse (1856-1891), an acrobat; his mother, Louise (1859-1895), née Bertoletti, was an equestrienne. Alexandre, who had a younger brother, Nicolas (1879-1938, an acrobat), was fifteen when he lost his father, and his mother died four years later: He had to help support his family at a young age, which developed in him earnestness and a sense of responsibility that was in no small part the reason of his success in life.
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[[File:Circus_Salamonsky_Moscow.jpg|right|450px]]
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The Circus on Tsvetnoy Boulevard: Three distinct circus buildings, actually, have been known under that name. The three buildings have occupied the exact same place, 13 Tsvetnoy Boulevard, with no longer interruption than the time needed for their reconstruction. Yet, for the Muscovites, they have been one and the same—their circus, just wearing different coats.
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He was a good acrobat and tumbler, and had a knack for training small domestic animals, notably dogs. This led him to clowning, since small animal training was at the time regarded as the domain of clowns (which was spectacularly demonstrated by many of them, notably [[Anatoly Durov|Anatoly]] and [[Vladimir Durov]]). Palisse worked either alone or with partners such as Pierre Perié (who will also create his own, successful circus) and Leonardo Ceratto, with whom he worked extensively in Spain and Portugal, and even in Argentina, where he had an enormous success with his trademark trained bulldogs.  
  
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Before the Soviet revolution, Russian circus history was principally written in St. Petersburg, the Russian Empire’s capital, and began when the French equestrian Jacques Tourniaire built the ''Cirque Olympique'', Russia’s first circus, in 1827 near the Fontanka canal, on the spot where Circus Ciniselli (which is extant) would be erected half a century later. Tourniaire had performed in Moscow in 1826, but this was in the private manège of the Pashkov House, which today houses the Russian State Library—with its magnificent manège refurbished as its main reading room.
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Around 1903-1904, Palisse was performing at the Cirque Plège, a popular French traveling circus of the period, which was showing at the annual fair of Amiens, in the north of France. Also at the fair was the ''Théâtre Grenier'', a well-known traveling theater created by Ernest Grenier (1855-1920), which presented a mixture of short films (a great novelty then) and variety acts. Adrienne Grenier (1882-1959), the owner's daughter, fell in love with Palisse, whom she went and see perform every day after her own performance at the Théâtre Grenier. Palisse reciprocated her feelings, and they were married in Caen, Normandy, on April 9, 1904—just before the start of this port city's annual fair. Then, in the summer of 1906, Palisse was touring in South America with Adrienne when, on July 4 in Montevideo, Uruguay, she gave him a son whom they named after his maternal grandfather, Ernest.
  
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Moscow’s first circus was a wooden structure erected in the Niskuchnye Gardens in 1830, which lasted three summer seasons. The second circus, [[Laura Bassin]]’s, was built in 1853 and lasted only two seasons. The third was the circus the Austrian-Hungarian equestrian Carl Magnus Hinné had built in 1869 as the Moscow branch of his St. Petersburg flagship circus; it would remain active, under various managements, until 1896.  Then, in 1880, Albert Salamonsky (1839-1913), a brilliant German equestrian and director, built a brand new circus on Tsvetnoy Boulevard.
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Now that he was Enest Grenier's son-in-law, Palisse became a regular fixture of the Théâtre Grenier's programs. Grenier liked Palisse as a clown, but he also appreciated his seriousness; Palisse was helpful, hard-working, and a good addition to the family. The Théâtre Grenier was a successful business and, as an insider, Palisse had the opportunity to learn how to run efficiently a traveling entertainment organization; furthermore, not a simple employee anymore, he enjoyed his new status as member of a performing family that ran its own business, and he began entertaining the possibility of creating his own traveling circus. He eventually shared his aspirations with his father-in-law, who was willing to help finance his project..... ([[Alexandre Palisse|more...]])
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Hinné had hired Salamonsky in 1869 to perform with his horses and his company in the Austrian-Hungarian director’s new building in Moscow. Salamonsky, who was an accomplished high school rider, and an outstanding trainer of "liberty" acts, had obtained a considerable success with Hinné, and he began afterward to tour regularly in Russia. In 1879, he built a circus in Odessa, but a shrewd businessman, he knew that the place to make real money was Moscow—the Empire’s wealthy merchant center—where Hinné’s circus, which was mostly harboring foreign touring companies, had no true identity of its own..... ([[Circus Nikulin|more...]])
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==New Essays and Biographies==
 
==New Essays and Biographies==

Revision as of 03:22, 1 October 2024


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Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

ALEXANDRE PALISSE

Alexandre François Palisse was born in a circus family on November 17, 1876, during the family's stay in Saint-Chamond, an early industrial town in the Rhône-Alpes region of France. His father was Louis-Marius Palisse (1856-1891), an acrobat; his mother, Louise (1859-1895), née Bertoletti, was an equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback.. Alexandre, who had a younger brother, Nicolas (1879-1938, an acrobat), was fifteen when he lost his father, and his mother died four years later: He had to help support his family at a young age, which developed in him earnestness and a sense of responsibility that was in no small part the reason of his success in life.

He was a good acrobat and tumbler, and had a knack for training small domestic animals, notably dogs. This led him to clowning, since small animal training was at the time regarded as the domain of clowns (which was spectacularly demonstrated by many of them, notably Anatoly and Vladimir Durov). Palisse worked either alone or with partners such as Pierre Perié (who will also create his own, successful circus) and Leonardo Ceratto, with whom he worked extensively in Spain and Portugal, and even in Argentina, where he had an enormous success with his trademark trained bulldogs.

Around 1903-1904, Palisse was performing at the Cirque Plège, a popular French traveling circus of the period, which was showing at the annual fair of Amiens, in the north of France. Also at the fair was the Théâtre Grenier, a well-known traveling theater created by Ernest Grenier (1855-1920), which presented a mixture of short films (a great novelty then) and variety acts. Adrienne Grenier (1882-1959), the owner's daughter, fell in love with Palisse, whom she went and see perform every day after her own performance at the Théâtre Grenier. Palisse reciprocated her feelings, and they were married in Caen, Normandy, on April 9, 1904—just before the start of this port city's annual fair. Then, in the summer of 1906, Palisse was touring in South America with Adrienne when, on July 4 in Montevideo, Uruguay, she gave him a son whom they named after his maternal grandfather, Ernest.

Now that he was Enest Grenier's son-in-law, Palisse became a regular fixture of the Théâtre Grenier's programs. Grenier liked Palisse as a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team., but he also appreciated his seriousness; Palisse was helpful, hard-working, and a good addition to the family. The Théâtre Grenier was a successful business and, as an insider, Palisse had the opportunity to learn how to run efficiently a traveling entertainment organization; furthermore, not a simple employee anymore, he enjoyed his new status as member of a performing family that ran its own business, and he began entertaining the possibility of creating his own traveling circus. He eventually shared his aspirations with his father-in-law, who was willing to help finance his project..... (more...)

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CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
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