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==In The Spotlight==
 
==In The Spotlight==
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[[File:Alessandro_Guerra_(1838).jpg|right|300px]]
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===RUSSIA'S FIRST NATIONAL CIRCUS AND CIRCUS SCHOOL===
  
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===MOSCOW'S BOLSHOI CIRCUS===
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On November 22, 1845, the Italian equestrian Alessandro Guerra and his troupe gave their first performance in the circus they had just built on the old Place des Manèges—the "merry-go-round square", today’s Theatre Square—in St. Petersburg, in the shadow of the stately Kamennyi Theatre (the "stone theatre"). The Kamennyi was also known as the Bolshoi Theatre (the "grand" theatre), and like its homonym in Moscow, it housed the Imperial Ballet and Opera companies. For a long time, the vast Place des Manèges had welcomed visiting fairs and their merry-go-rounds, but the presence of the theater had since redeemed the square's prestige, and Guerra found himself in ideal surroundings.
  
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[[File:Bolshoi_Circus_Aerial.png|right|400px]]The "Great Moscow Circus on Vernadsky Avenue" (''Большой Московский цирк на проспекте Вернадского'' in Russian), better known as Moscow's ''Bolshoi Circus'' ("Grand Circus") was built under the tenure of Leonid Brezhnev as First Secretary of the Communist Party of the USSR, and opened its doors on April 30, 1971. It is located on Vorobiovy Hills (formerly Lenin Hills), in the Gagarin District, between Vernadsky Prospect (avenue), which separates it from the Moscow University campus, and Nikolai Kopernik (Copernic) Street; Lomonosov Avenue joins them on the southern side. Although it is far from Moscow's center, it is well deserved by the ''Universitet'' metro station.
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Born in Rome, Italy, Guerra (1790-1856) had started his career at Vienna's Circus Gymnasticus, under the management of the Latvian equestrian Christoph de Bach, whose daughter, Elisa, Alessandro had seduced and married. Then, in 1826, he had created his own company, which toured under the name (fashionable at the time) of ''Cirque Olympique''. After the death of his father-in-law, Guerra engaged into a bitter rivalry with de Bach's widow, the beautiful Laura de Bach, and then went on to compete against Ernst Renz in Berlin before settling in the Capital of All Russias. Guerra was a remarkable trick-rider, famous for his aggressive manner in the ring (which he also displayed in private life), and which got him a nickname: Il Furioso.
  
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The building was conceived by Yakov Borisovich Belopolsky (1916-1993)—one of the busiest official architects of the Brezhnev era—in cooperation with E. Bulikh, S. Feoktistov and V. Khavin, the engineers who developed the unique technology of this revolutionary circus. With its 3,350-seat house, 56 meters in diameter (approximately 185 feet) and a height of 28 meters (92 feet) under the cupola, and its numerous specialized features and facilities, it is the world's largest and technically most advanced circus building.
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The circus that Guerra built in St. Petersburg was a large, rectangular wooden building that looked a little like a hangar, but with a Grecian-style pediment adorned with equestrian scenes, and, above the public entrance, a little portico supported by six pillars. It was not very luxurious, but it was comfortable and well heated (an important detail in St. Petersburg, which the press duly reported) and was well lighted (another vital aspect to the citizens of St. Petersburg, berated as they were by endless winter nights). The stables housed fifty horses, and Guerra also built a coffeehouse adjacent to the circus itself.... ([[Russia's First National Circus|more...]])
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Its unique fittings make it an exceptional tool for the presentation of all sorts of large-scale circus productions. The ensemble includes a rehearsal ring, located backstage behind the ring entrance in a space vast and high enough to accommodate aerial acts; a stage above the ring entrance, which can connect to the ring with a telescopic staircase that unfolds automatically; the possibility for aerialists and technicians to access the house or their apparatus from the ceiling; a multitude of dressing rooms, offices, and workshops (for costumes and equipment), a canteen and a cafeteria for the personnel, and several spacious rooms with controlled temperatures to accommodate the upkeep of all sorts animals.
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But the true jewel of the crown is without a doubt its interchangeable ring: It is placed on a hydraulic circular platform that can be lowered into a gigantic basement, where four other full-size specialized rings are stored around this central elevator, and can roll on and off its platform.... ([[Bolshoi Circus|more...]])
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==New Essays and Biographies==
 
==New Essays and Biographies==

Revision as of 21:40, 1 August 2021

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
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Circopedia was originally created with the support of the Big Apple Circus Ltd. and inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Alessandro Guerra (1838).jpg

RUSSIA'S FIRST NATIONAL CIRCUS AND CIRCUS SCHOOL

On November 22, 1845, the Italian equestrian Alessandro Guerra and his troupe gave their first performance in the circus they had just built on the old Place des Manèges—the "merry-go-round square", today’s Theatre Square—in St. Petersburg, in the shadow of the stately Kamennyi Theatre (the "stone theatre"). The Kamennyi was also known as the Bolshoi Theatre (the "grand" theatre), and like its homonym in Moscow, it housed the Imperial Ballet and Opera companies. For a long time, the vast Place des Manèges had welcomed visiting fairs and their merry-go-rounds, but the presence of the theater had since redeemed the square's prestige, and Guerra found himself in ideal surroundings.

Born in Rome, Italy, Guerra (1790-1856) had started his career at Vienna's Circus Gymnasticus, under the management of the Latvian equestrian Christoph de Bach, whose daughter, Elisa, Alessandro had seduced and married. Then, in 1826, he had created his own company, which toured under the name (fashionable at the time) of Cirque Olympique. After the death of his father-in-law, Guerra engaged into a bitter rivalry with de Bach's widow, the beautiful Laura de Bach, and then went on to compete against Ernst Renz in Berlin before settling in the Capital of All Russias. Guerra was a remarkable trickAny specific exercise in a circus act.-rider, famous for his aggressive manner in the ring (which he also displayed in private life), and which got him a nickname: Il Furioso.

The circus that Guerra built in St. Petersburg was a large, rectangular wooden building that looked a little like a hangar, but with a Grecian-style pediment adorned with equestrian scenes, and, above the public entrance, a little portico supported by six pillars. It was not very luxurious, but it was comfortable and well heated (an important detail in St. Petersburg, which the press duly reported) and was well lighted (another vital aspect to the citizens of St. Petersburg, berated as they were by endless winter nights). The stables housed fifty horses, and Guerra also built a coffeehouse adjacent to the circus itself.... (more...)

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A Message from Dominique Jando

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
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