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===FRANCIS BRUNN=== | ===FRANCIS BRUNN=== | ||
| − | Francis Brunn (1922-2004) is justly considered one of the greatest jugglers of the twentieth century. In 1950, the legendary ''New York Times'' theater critic Brooks Atkinson said that he was "the greatest juggler of the ages," adding with his usual humor: "Not many people in the world are as perfectly adjusted as Mr. Brunn is. He will never have to visit a psychiatrist." | + | [[File:Francis_Brunn_in_Paris.jpeg|right|300px]]Francis Brunn (1922-2004) is justly considered one of the greatest jugglers of the twentieth century. In 1950, the legendary ''New York Times'' theater critic Brooks Atkinson said that he was "the greatest juggler of the ages," adding with his usual humor: "Not many people in the world are as perfectly adjusted as Mr. Brunn is. He will never have to visit a psychiatrist." |
What characterized Francis Brunn was not so much the tricks he performed (although they were spectacular) as the speed, precision and balletic quality of his act. | What characterized Francis Brunn was not so much the tricks he performed (although they were spectacular) as the speed, precision and balletic quality of his act. | ||
Revision as of 03:30, 1 November 2024
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In The Spotlight
FRANCIS BRUNN
What characterized Francis Brunn was not so much the tricks he performed (although they were spectacular) as the speed, precision and balletic quality of his act.
He was born Franz Josef Brunn on November 15, 1922, in Aschaffenburg, southwest of Frankfurt, in Bavaria (Germany). His parents were not in show business: his father, Michael Aloysius Brunn (1898-1980) was a restaurant owner, but he was also a three-time champion diver; his mother Pauline, née Schobert, was a homemaker. Franz had three sisters, Lotti (1925-2008), Jutta, and Anni. He also had a half-brother, Ernst Kuhn, later known as Ernest Montego (1936-2016), who would also become a great juggler. (All siblings and their parents would eventually resettle in the U.S.)
Juggling entered the family during WWI, when Michael Brunn was interned in a prisoner camp in France. Through the barbed wires, he observed a man who was juggling three balls. Out of boredom, Michael decided to teach himself to do the same with three stones. Later, he taught his children the basics of juggling using three oranges: Under his guidance, Franz and Lotti acquired the basics of the craft, but didn't yet seriously consider developing their skills.
Like his champion-diver father, Franz was very physical. Michael trained him in gymnastics, diving, and acrobatics, which gave his son a strong base. Franz then attended Berlin's University of the Arts, which had an important performing arts section. It is in 1937, in the brand-new Menschen, Tiere, Sensationen show at Berlin's Deutschlandhalle, that Franz saw an artist who truly inspired him, the Italian juggler Angelo Picinelli (1921-2004). Picinelli worked mainly in variety theaters, which were numerous and very popular then in Germany, and this charismatic and gifted juggler was a major variety star.
Franz was hooked: he already knew the basics, and then, a friend took him to watch a juggler rehearsing; he saw what could be done with training, and he liked it. He heard of the legendary Enrico Rastelli (1896-1931), the greatest juggler of all times who died untimely at age thirty-five, and he watched the films that had recorded his work. He also read Das Wunder der tanzenden Bälle ("The Miracle of the Dancing Balls", 1938) by the great circus chronicler and novelist A.H. Kober, which became another source of inspiration.
Ball manipulation, which was one of Rastelli's many talents and became a Francis Brunn trademark, was not completely unknown to him thanks to his practice of football (soccer). Then, to pure juggling, Francis added his acrobatic and dancing abilities. (He developed in time a passion for Flamenco, which eventually defined his style.) His sister Lotti also entered the game, and became his partner—although she developed impressive skills of her own, sometimes comparable to her brother's.... (more...)
New Essays and Biographies
- Francis Brunn, Juggler
- Tereza Durova, Animal Trainer
- Alessandro Guerra, Equestrian, Circus Director
- Jimmy Scott, Clown
- Alexis Gruss, Jr., Equestrian, Circus Owner
New Videos
- Trio Cyclopes, jugglers (2024)
- Triple Breath, high wireA tight, heavy metallic cable placed high above the ground, on which wire walkers do crossings and various acrobatic exercises. Not to be confused with a tight wire. act (2023)
- Pavel Evsukevich, juggler (2010)
- Duo AcroArt, Cyr wheel (2024)
- Stephanie & Valerie Koechlin, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2024)
New Oral Histories
- For A Moment You Fly, The First Season of The Big Apple Circus (1977)
- Vladimir Durov Documentary on Russian Television (c.2000)
- Dolly Jacobs Interview at The Ringling (2018)
- Pinito del Oro's Interview on Spanish Television (1970)
- Gia Eradze's Interview on SSU TV (2015)
Circopedia Books
- Philip Astley & The Horsemen who invented the Circus, by Dominique Jando (2018)
A Message from the Founder
CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.
- Dominique Jando
- Founder and Curator
