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ALEXANDRE PALISSE
In the first half of the twentieth century, Alexandre Palisse (1876-1932) managed one of the best circuses touring the French provinces (and some bordering countries); in addition, his traveling equipment, which he conceived, was extremely innovative at the time and would inspire some of his competitors' way of touring. Palisse was also a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team., well known in Europe and South America for his spectacular costumes, his impeccable makeup, and his talent for training small animals. After his death in 1932, Jérôme Medrano bought and continued to exploit his elegant and revolutionary touring circus.Alexandre François Palisse was born in a circus family on November 17, 1876, during the family's stay in Saint-Chamond, an early industrial town in the Rhône-Alpes region of France. His father was Louis-Marius Palisse (1856-1891), an acrobat; his mother, Louise (1859-1895), née Bertoletti, was an equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback.. Alexandre, who had a younger brother, Nicolas (1879-1938, an acrobat), was fifteen when he lost his father, and his mother died four years later: He had to help supporting his family at a young age, which developed in him earnestness and a sense of responsibility that was in no small part the reason of his success in life.
He was a good acrobat and tumbler, and had a knack for training small domestic animals, notably dogs. This led him to clowning, since small animal training was at the time regarded as the domain of clowns (which was spectacularly demonstrated by many of them, notably Anatoly and Vladimir Durov). Palisse worked either alone or with partners such as Pierre Perié (who will also create his own, successful circus) and Leonardo Ceratto, with whom he worked extensively in Spain and Portugal, and even in Argentina, where he had an enormous success with his trademark trained bulldogs.
Around 1903-1904, Palisse was performing at the Cirque Plège, a popular French traveling circus of the period, which was showing at the annual fair of Amiens, in the north of France. Also at the fair was the Théâtre Grenier, a well-known traveling theater created by Ernest Grenier (1855-1920), which presented a mixture of short films (a great novelty then) and variety acts. Adrienne Grenier (1882-1959), the owner's daughter, fell in love with Palisse, whom she went and see perform every day after her own performance at the Théâtre Grenier. Palisse reciprocated her feelings, and they were married in Caen, Normandy, on April 9, 1904—just before the start of this port city's annual fair. Then, in the summer of 1906, Palisse was touring in South America with Adrienne when, on July 4 in Montevideo, Uruguay, she gave him a son whom they named after his maternal grandfather, Ernest.
Now that he was Enest Grenier's son-in-law, Palisse became a regular fixture of the Théâtre Grenier's programs. Grenier liked Palisse as a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team., but he also appreciated his seriousness; Palisse was helpful, hard-working, and a good addition to the family. The Théâtre Grenier was a successful business and, as an insider, Palisse had the opportunity to learn how to run efficiently a traveling entertainment organization; furthermore, not a simple employee anymore, he enjoyed his new status as member of a performing family that ran its own business, and he began entertaining the possibility of creating his own traveling circus. He eventually shared his aspirations with his father-in-law, who was willing to help finance his project..... (more...)
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A Message from the Founder
CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.
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- Founder and Curator