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THE GREAT CARMO
Relatively little has been written of Harry Cameron (1881-1944), better known as "The Great Carmo," apart from a small volume entitled The Great Carmo, The Colossus of Mystery, by magician and writer Val Andrews in 2001. Yet, Carmo was at one time one of the leading illusionists of the British variety theatre scene, and for a short period, the owner of a circus stalked by tragedy. He might also be considered the man who launched the Bertram Mills Circus on its first tour, having had a short connection with Bertram W. Mills and his two sons in 1929, prior to the appearance of the full-fledged Mills tenting show in 1930.
Although of Scottish origins (his parents had emigrated to Australia in about 1880), Harry Cameron was born in Brunswick, a suburb of Melbourne, Australia on November 8, 1881. His father was an engineer; unbeknownst to him, Harry was destined to become a magician and illusionist who would rival the "greats" of his era: Lafayette, Chung Ling Soo, Lyle, Dante, Murray, Chefalo, and Kalanag, whose huge stage presentations were among the finest in theatrical history.
As a youngster, and without any encouragement from his family, Harry developed a love for show business. He had been first entranced by the magic quality of a travelling circus he had visited, and then by Paul Cinquevalli, the greatest juggler of his time, whom he saw in a variety theatre in Melbourne: Harry set out to emulate the feats of his new idol in his juggling, balance and strongman routines.
Hence Harry started practising juggling, and whenever possible, without his parents’ knowledge, he frequented theatres and travelling shows. Leaving school at fourteen, he was first apprenticed to a grocer and developed his muscles carrying sacks of flour up to a ladder. Next, he worked in a brass foundry and, in his spare time, took part in a Minstrel show, where he began learning the business of entertainment and formed his flair for showmanship and his stage-sense.
When his father found out about Harry’s clandestine affair with show business, he gave him an ultimatum: Either to abandon his artistic ambitions, or to leave home. Harry chose the second option and went on to travelling with the Minstrel show for a year, and later with Rowley’s Waxworks and Varieties—where he performed his budding juggling and strongman act. He then continued to develop it in other shows.
Next, Harry moved on to Ashton’s Circus, playing in the bush townships of Australia, a hard grounding in the circus life. There, attempting to learn wire walking, he had a fall followed by a penniless period in hospital, which led to reconciliation with his parents. Eventually, Harry developed a successful variety career with an act that combined juggling, feats of strength, quick-changes, and impressions. He married his singer-assistant, Nellie Lloyd, in Sydney, on January 5, 1903.... (more...)
New Essays and Biographies
- Paul Jerome, Clown
- Evelyn and André, Aerialists, Acrobats
- Ramón Rampin, Clown
- Elsane, Aerialist
- Nouveau Cirque, History — Version Française (French Version)
New Videos
- Regina Bouglione, sword balancing (1983)
- André Vasserot, liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. act (1971)
- The Soranis, comedy trampoline (1965)
- Franco Anselmi, hand balancer (1981)
- Richard Chipperfield, lion act (1971)
New Oral Histories
- Dominique Jando interview by the Circus Historical Society (2025)
- Evelyn & André Interview on Blikk TV (2015)
- For A Moment You Fly, The First Season of The Big Apple Circus (1977)
- Vladimir Durov Documentary on Russian Television (c.2000)
- Dolly Jacobs Interview at The Ringling (2018)
Circopedia Books
- Philip Astley & The Horsemen who invented the Circus, by Dominique Jando (2018)
A Message from the Founder
CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.
- Dominique Jando
- Founder and Curator
